Avant-Pop
Interview expérimental / contemporain/Pop
MUTEK 2023 | Hatis Noit Brings Vocal Symbolism and Storyline
By Stephan Boissonneault
Album review Pop/classique/Electronic/Soul/R&B/Rock 2022
Concert curators: their best albums of 2022
By Rédaction PAN M 360
Interview Pop/Electronic/expérimental / contemporain/Experimental / Contemporary/Rock
The silence, it screams and it laughs, a conversation with Montreal’s Kee Avil
By Stephan Boissonneault
Interview expérimental / contemporain/Pop/Rock/Jazz/Electronic
Thus Owls talks about the 5th album, Who Would Hold You If The Sky Betrayed Us
By Alain Brunet
Interview Rock/Pop
Gus Englehorn on exercising his imagination, surreal art influences, and Alaskan mud wrestling
By Stephan Boissonneault
Album review Electronic/Pop/Experimental / Contemporary/expérimental / contemporain 2022
Jenny Hval – Classic Objects
By Alain Brunet
Album review Pop/latino/expérimental / contemporain/Jazz/Soul/R&B 2021
Xenia Rubinos – Una Rosa
By Alain Brunet
Interview Pop/expérimental / contemporain/Rock
Anika : Ch… ch… ch… ch… change
By Patrick Baillargeon
Interview expérimental / contemporain/Pop/Rock/Classical/classique
Undrum this, conventional music-making!
By Frédéric Cardin
Interview Electronic/Pop/expérimental / contemporain/Americana
Yves Jarvis: Volume and variety
By Alain Brunet
Interview Folk/Americana/Pop/Indian Classical/classique/Electronic/Experimental / Contemporary/expérimental / contemporain/Jazz/Singer-Songwriter
Thanya Iyer: Open forms, open songs, open woman
By Alain Brunet
Interview Pop/Soul/R&B/Rock/Jazz/Singer-Songwriter
Marie Davidson & L’Oeil Nu : Taking on pop
By Alain Brunet
What to watch Pop/Electronic/expérimental / contemporain