Experimental / Contemporary Noise / Drone / Free Improvisation / Invented Instrumental / Melodic Noise / Experimental Dream Pop

Interview Jazz/expérimental / contemporain/Rock

Palais Montcalm | Bill Bruford has (also) always been a jazz drummer

By Alain Brunet

Concert review Jazz/expérimental / contemporain/Experimental / Contemporary

FIMAV 2026 | أحمد [Ahmed] Raises the Debate

By Michel Rondeau

Concert review Jazz/expérimental / contemporain/Experimental / Contemporary

FIMAV 2026 | Yves Charuest Meets With Prominent British Colleagues

By Michel Rondeau

Concert review Jazz/Experimental / Contemporary/expérimental / contemporain

FIMAV 2026 | Queen Mab, Renewal of Vows

By Michel Rondeau

Concert review expérimental / contemporain/Experimental / Contemporary

FIMAV 2026 | John Oswald and Plunderphonics… An Improv Game to Be Refined

By Michel Rondeau

Concert review Jazz/expérimental / contemporain/Experimental / Contemporary

FIMAV 2026 | Hammer, Roll and Leaf, Ideal Balance, Total and Complete Satisfaction

By Alain Brunet

Concert review Jazz/Experimental / Contemporary/expérimental / contemporain

FIMAV 2026 | Darius Jones: Exceptional Trio, Exceptional Concert

By Michel Rondeau

Concert review Classical/classique/Jazz/expérimental / contemporain/Experimental / Contemporary

FIMAV 2026 | Josh Zubot Strings: Maximum Relevance, Maximum Delight

By Alain Brunet

Concert review Indian Classical/classique/Electronic/expérimental / contemporain/Experimental / Contemporary/Jazz

FIMAV 2026 | Amirtha Kidambi: musiques séduisantes, prolixité militante

By Alain Brunet

Interview Electronic/expérimental / contemporain/Experimental / Contemporary/Rock

FIMAV 2026 | Amirtha Kidambi: Voice, Strength, Vision, Commitment

By Alain Brunet

Interview expérimental / contemporain/Experimental / Contemporary/Jazz

FIMAV 2026 | Scott Thomson Presents His Program

By Alain Brunet

Album review Experimental / Contemporary/expérimental / contemporain/Jazz 2026

Damián Birbrier – Águas

By Frédéric Cardin

Album review Classical/classique/expérimental / contemporain/Experimental / Contemporary 2026

Eyden Zhao & James Ford – WARHEAD!

By Frédéric Cardin

Album review Rock/expérimental / contemporain 2026

Holy Fuck – Event Beat

By Stephan Boissonneault

Album review expérimental / contemporain/Experimental / Contemporary/Rock 2026

A Place To Bury Strangers – Rare and Deadly

By Stephan Boissonneault

Album review Electronic/Classical/classique/expérimental / contemporain/musique de film 2026

Colin Stetson – Something Very Bad Is Going to Happen

By Frédéric Cardin

Concert review expérimental / contemporain/Experimental / Contemporary

Semaine du Neuf | When the collective becomes an entity

By Z Neto Vinheiras

Concert review expérimental / contemporain/Experimental / Contemporary

Semaine du Neuf | Nous perçons les oreilles: Surrendering Body and Mind to the Music

By Alexandre Villemaire

Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain

Semaine du Neuf | Collective Improv Night with No Hay Banda, Ana Maria Romano, and Limules

By Frédéric Cardin

Concert review classique/expérimental / contemporain/Classical

Semaine du Neuf | Quatuor Bozzini: A Journey into the Extremes of Sound

By Pietro Freiburger

Interview expérimental / contemporain/Experimental / Contemporary

Semaine du Neuf | Nous perçons les oreilles, improvisation at the center of bodies

By Loic Minty

Album review Electronic/Pop/Experimental / Contemporary/expérimental / contemporain 2026

Nashpaints – Everyone Good is Called Molly

By Stephan Boissonneault

Interview Electronic/expérimental / contemporain

SAT | Amselysen between political fiction and product culture

By Loic Minty

Album review expérimental / contemporain/Experimental / Contemporary 2026

Karen Ng – Backwards Blue

By Frédéric Cardin