expérimental / contemporain Avant-Garde / Experimental / Contemporary / musique actuelle / noise / Musique de création / Noise / Drone / Free Improvisation / Invented Instrumental / Melodic Noise / Experimental Dream Pop
Concert review expérimental / contemporain/Classical/classique
Le Vivier: Judith Fliedl’s Super Ultra Violin
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”
By Frédéric Cardin
Interview Electronic/expérimental / contemporain
Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge
By Michel Rondeau
Interview Electronic/expérimental / contemporain
Akousma | Exzald S, la violence du calme
By Alain Brunet
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2026
Liberté Anne & Frotae – Volume 2
By Frédéric Cardin
Interview Jazz/expérimental / contemporain/Spoken Word
FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa
By Alain Brunet
Interview expérimental / contemporain
Flux 2026 | 2nd week according to Peter Burton
By Alain Brunet
Interview Jazz/expérimental / contemporain
QMP 2026 | Hugo Blouin, spoken words and played words
By Frédéric Cardin
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Flux 2026 | Liberté-Anne presents Frotae vol. 2
By Frédéric Cardin
Interview Pop/Classical/classique/expérimental / contemporain/Experimental / Contemporary
Flux 2026 | No Hay Banda invites Erika Angell and pays tribute to Suoni per il popolo
By Frédéric Cardin
Interview Jazz/Experimental / Contemporary/expérimental / contemporain/Rock
Flux 2026 | 1st week-end according to Peter Burton
By Alain Brunet
Concert review Rock/Classical/classique/Jazz/free-rock/Experimental / Contemporary/expérimental / contemporain
QMP 2026 | Ackermann and D’Orion : the Complementarity of Extremes
By Frédéric Cardin
Album review Rock/Classical/classique/expérimental / contemporain/Experimental / Contemporary 2026
Erick D’Orion – Mes fantômes
By Frédéric Cardin
Interview expérimental / contemporain
Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”
By Alain Brunet
Interview expérimental / contemporain/Classical/classique
Bozzini Quartet plays the quartets of an icon of avant-garde jazz: George Lewis
By Frédéric Cardin
Concert review expérimental / contemporain/Jazz/Hip Hop/Punk/Rock
Pop MTL 2026 I haha Laughing: Everything’s Louder in Texas
By Lyle Hendriks
Concert review expérimental / contemporain/Experimental / Contemporary/Pop
FME 2026 I Camilla Sparksss Brings the Noise
By Stephan Boissonneault
Album review Classical/classique/expérimental / contemporain 2026
Carrie Frey – Lesser Arcana
By Frédéric Cardin
Interview DJ set/Electronic/expérimental / contemporain/Experimental / Contemporary/Soul/R&B/Jazz
MUTEK 2026 | Herbert in Three Shows: The Activist, Composer and Producer Is Finally Back
By Alain Brunet
Interview Electronic/expérimental / contemporain/exposition
MUTEK 2026 : What Does a Laser Sound Like in the Super Galaxy Meow Meow ?
By Ariel Rutherford
Album review Classical/classique/expérimental / contemporain 2026
Olivier Alary – Vestiges
By Frédéric Cardin
Interview Electronic/Experimental / Contemporary/expérimental / contemporain/Rock
MUTEK 2026 | Finding the Flow With Fennesz
By Alain Brunet
Album review expérimental / contemporain/Classical/classique 2026
Jack M Campbell, Andreas Kahre, Alexander Varty – No Room For Error
By Frédéric Cardin
Album review Électro/expérimental / contemporain 2026