expérimental / contemporain Avant-Garde / Experimental / Contemporary / musique actuelle / noise / Musique de création / Noise / Drone / Free Improvisation / Invented Instrumental / Melodic Noise / Experimental Dream Pop
Concert review Classical/classique/Electronic/expérimental / contemporain
UdeM – Ultrasound | Florence Dubé, Allison Chidiac, Alexandre Hamel, Alexandre Vaillant, Florence Lafontaine, Olivier Martin-Fréchette, Charles Anthony Raymond-Plante, Jacob Boucher, Rafaël Bouthillette, Félix Gervais-Richard
By Jeremy Fortin
Interview Experimental/expérimental / contemporain
Codes d’accès, Constellations corporelles | “Assembly Line Apparitions” by Nicholas Ma
By Alain Brunet
Album review expérimental / contemporain/Experimental / Contemporary/Rock 2026
A Place To Bury Strangers – Rare and Deadly
By Stephan Boissonneault
Album review Electronic/Classical/classique/expérimental / contemporain/musique de film 2026
Colin Stetson – Something Very Bad Is Going to Happen
By Frédéric Cardin
Concert review expérimental / contemporain
5ilience at Quai 5160: A Bold and Contrasting Program
By Jeremy Fortin
Interview expérimental / contemporain
Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”
By Alain Brunet
Interview expérimental / contemporain
Codes d’Accès | Battements: Emmanuel Jacob Lacopo presents “Home” and “I Never Want To See That Day”
By Alain Brunet
Interview expérimental / contemporain
Codes d’Accès | Battements : Alexandre Amat presents “Tracé, Fossiles”
By Alain Brunet
Interview Classical/classique/expérimental / contemporain
SMCQ | Classics and Creation, A Conversation Across Generations
By Alain Brunet
Concert review expérimental / contemporain/Experimental / Contemporary
Semaine du Neuf | When the collective becomes an entity
By Z Neto Vinheiras
Concert review expérimental / contemporain/Multidisciplinaire
(MTL X Monterrey) + (saxophones + dance) = The Breath of the Body
By Jeremy Fortin
Concert review expérimental / contemporain/Experimental / Contemporary
Semaine du Neuf | Nous perçons les oreilles: Surrendering Body and Mind to the Music
By Alexandre Villemaire
Interview expérimental / contemporain
5ilience | Devinim, When Sounds Move Through The Reeds
By Jeremy Fortin
Concert review expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Lovemusic: A Clash of Bodies and Sounds
By Jeremy Fortin
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Semaine du Neuf | Collective Improv Night with No Hay Banda, Ana Maria Romano, and Limules
By Frédéric Cardin
Concert review expérimental / contemporain/Indigenous peoples
Semaine du Neuf | Sxelxéles te tl’etla’axel – Design for Inviting, the Power of Words… and of Sounds?
By Michel Labrecque
Concert review classique/expérimental / contemporain/Classical
Semaine du Neuf | Quatuor Bozzini: A Journey into the Extremes of Sound
By Pietro Freiburger
Interview expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Lovemusic et Protest of the Physical : the body (of musicians) has its reasons
By Jeremy Fortin
Interview expérimental / contemporain/Experimental / Contemporary
Semaine du Neuf | Nous perçons les oreilles, improvisation at the center of bodies
By Loic Minty
Interview expérimental / contemporain
Semaine du Neuf | Ictus: Ula Sickle on Gestures of Resistance
By Loic Minty
Album review Electronic/Pop/Experimental / Contemporary/expérimental / contemporain 2026
Nashpaints – Everyone Good is Called Molly
By Stephan Boissonneault
Concert review expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Loneliness, hyperreality, connection, a harsh wake-up call
By Alain Brunet
Concert review expérimental / contemporain