expérimental / contemporain Avant-Garde / Experimental / Contemporary / musique actuelle / noise / Musique de création / Noise / Drone / Free Improvisation / Invented Instrumental / Melodic Noise / Experimental Dream Pop
Concert review expérimental / contemporain/Traditional
FIJM 2026 I Tanya Tagaq Summons the Spirits
By Stephan Boissonneault
Album review Electronic/Experimental / Contemporary/expérimental / contemporain 2026
Kane Parsons & Edo Van Breeman – Backrooms (Original Soundtrack)
By Stephan Boissonneault
Interview Jazz/Experimental / Contemporary/expérimental / contemporain/Folk/Americana
Suoni 2026 | Time travelling with Wendy Eisenberg
By Joséphine Campbell-Lashuk
Concert review expérimental / contemporain
Suoni 2026 | Jardin botanique, bridge in the sky
By Joséphine Campbell-Lashuk
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions
By Alain Brunet
Interview Rock/Jazz/expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Dancing on chaos with The Ex
By Michel Rondeau
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Adrian Avendaño, all his paths for Trading Places
By Alain Brunet
Interview expérimental / contemporain
SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL
By Alain Brunet
Interview expérimental / contemporain/Pop/Multidisciplinaire
Elle Barbara | “A One Man Show”, Pop, Glamour and Avant-Garde Trans… Disciplinary
By Alain Brunet
Interview Jazz/expérimental / contemporain/Rock
Palais Montcalm | Bill Bruford has (also) always been a jazz drummer
By Alain Brunet![FIMAV 2026 | أحمد [Ahmed] Raises the Debate](https://panm360.com/wp-content/uploads/2026/05/Ahmed-live-500x500.jpg)
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | أحمد [Ahmed] Raises the Debate
By Michel Rondeau
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Yves Charuest Meets With Prominent British Colleagues
By Michel Rondeau
Concert review Jazz/Experimental / Contemporary/expérimental / contemporain
FIMAV 2026 | Queen Mab, Renewal of Vows
By Michel Rondeau
Concert review expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | John Oswald and Plunderphonics… An Improv Game to Be Refined
By Michel Rondeau
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Hammer, Roll and Leaf, Ideal Balance, Total and Complete Satisfaction
By Alain Brunet
Concert review Jazz/Experimental / Contemporary/expérimental / contemporain
FIMAV 2026 | Darius Jones: Exceptional Trio, Exceptional Concert
By Michel Rondeau
Concert review Classical/classique/Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Josh Zubot Strings: Maximum Relevance, Maximum Delight
By Alain Brunet
Concert review Indian Classical/classique/Electronic/expérimental / contemporain/Experimental / Contemporary/Jazz
FIMAV 2026 | Amirtha Kidambi: musiques séduisantes, prolixité militante
By Alain Brunet
Interview Electronic/expérimental / contemporain/Classical/classique
FIMAV 2026 | “Voda” by Sarah Pagé, Sounds Inspired by Water Through Russian Mythology and Poetry
By Alain Brunet
Album review expérimental / contemporain/classique/Classical 2026
Allison Cameron/Scott Thomson – Platanus
By Frédéric Cardin
Interview Electronic/expérimental / contemporain/Experimental / Contemporary/Rock
FIMAV 2026 | Amirtha Kidambi: Voice, Strength, Vision, Commitment
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary/Jazz