expérimental / contemporain Avant-Garde / Experimental / Contemporary / musique actuelle / Noise / Drone / Free Improvisation / Invented Instrumental / Melodic Noise / Experimental Dream Pop / Experimental
Album review Rock/expérimental / contemporain/Instrumental/métal progressif 2024
Hybreed Chaos – Subliminal Abyssal Carnage
By Laurent Bellemare
Album review Experimental / Contemporary/expérimental / contemporain 2024
Senyawa – Vajranala
By Laurent Bellemare
Album review expérimental / contemporain/Jazz/Spoken Word 2024
Catharine Cary – AIR CAKE and other summery occupations
By Frédéric Cardin
Interview Rock/Folk/Americana/Experimental / Contemporary/expérimental / contemporain
Truck Violence Burns It Down and Starts Again
By Lyle Hendriks
Concert review Electronic/expérimental / contemporain/Neo-soul
PAN M 360 at FIJM 2024 | André 3000 at the frontier of smoke and mirrors
By Alain Brunet
Album review Experimental / Contemporary/expérimental / contemporain/South-East Asian 2023
Lynn Nandar Htoo – Jamadevi
By Laurent Bellemare
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Classical/classique 2024
Alexandre Tessier – Temps
By Laurent Bellemare
Concert review expérimental / contemporain
Suoni, June 17 | Reverberations, voices and multiple reflections
By Michel Labrecque
Album review Africa/Experimental / Contemporary/expérimental / contemporain/Hip Hop 2023
Aunty Rayzor – Viral Wreckage
By Patrice Caron
Interview expérimental / contemporain/Jazz
Suoni per il popolo | The socially committed and fiery jazz of Irreversible Entanglements
By Frédéric Cardin
Interview expérimental / contemporain/Rock/Psychedelia
JAKŌ and his experimental soundscapes at Suoni
By Stephan Boissonneault
Interview expérimental / contemporain
Ishi Tishi and their Evening With All The Animals at Suoni
By Stephan Boissonneault
Concert review classique/expérimental / contemporain
June 13 at Suoni Per Il Popolo: No Hay Banda with Sarah Davachi and Nadah El-Shazly + Sarah Pagé
By Laurent Bellemare
Interview expérimental / contemporain/Pop
Habitat Sonore at Centre Phi| Summer playlist and ideal venue for active, immersive listening
By Salima Bouaraour
Interview expérimental / contemporain
Suoni | Sarah Davachi and the idea of being played by No Hay Banda
By Laurent Bellemare
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2024
The Nausea – Requiem
By Frédéric Cardin
Interview Jazz/expérimental / contemporain/Experimental / Contemporary/Pop/Classical/classique
Bell Orchestre becomes immersive and interactive, House Music becomes Sound House at SAT
By Alain Brunet
Album review expérimental / contemporain/Electronic/Jazz/Brazilian 2024
Ibelisse Guardia Ferragutti & Frank Rosaly – Mestizk
By Patrice Caron
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Traditional 2024
Ana Lua Caiano – Vou Ficar Neste Quadrado
By Patrice Caron
Interview expérimental / contemporain
Suoni Per Il Popolo | Kiva Stimac explains her artistic direction
By Alain Brunet
Concert review expérimental / contemporain/Classical/classique
Surrealist dive at Innovations en concert
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2024
Kenneth Kirschner – 3 Cellos
By Frédéric Cardin
Interview Folk/Americana/Rock/Electronic/expérimental / contemporain