Avant-Garde
Album review Electronic/expérimental / contemporain/Classical/classique/indie 2024
India Gailey – Problematica
By Frédéric Cardin
Concert review expérimental / contemporain/classique/Classical
Bozzini Quartet : microtones, great music
By Frédéric Cardin
Album review expérimental / contemporain/Jazz 2024
Ewart Asplund Ricks Trio – Emphatic Now
By Frédéric Cardin
Album review Folk/Americana/expérimental / contemporain/Classical/classique 2024
Allison Burik – Realm
By Frédéric Cardin
Album review expérimental / contemporain/classique/Classical 2023
PAN M 360 / TOP 100 : Kronos Quartet/Ghost Train Orchestra – The Music of Moondog
By Frédéric Cardin
Album review expérimental / contemporain/Electronic 2023
PAN M 360 / TOP 100 : Babe, Terror – TechnojoygPAN M 360 / TOP 100 :
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2023
Nicole Rampersaud – Saudade
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2023
Eve Egoyan / Mauricio Pauly – Hopeful Monster
By Frédéric Cardin
What to watch Pop/expérimental / contemporain
Night Lunch – God Bless The One I Love
By Stephan Boissonneault
Interview expérimental / contemporain/Classical/classique
Want something new in concert? Innovations en concert wants you!
By Frédéric Cardin
Interview expérimental / contemporain/Pop
MUTEK 2023 | Hatis Noit Brings Vocal Symbolism and Storyline
By Stephan Boissonneault
Interview expérimental / contemporain/Classical/classique
Nicole Lizée : Folk Noir and other Sci-Fi stories
By Frédéric Cardin
What to watch expérimental / contemporain/Jazz/Electronic
WHY PATTERNS? – Give The Word
By Stephan Boissonneault
Interview expérimental / contemporain
M / NM : Quasar Saxophone Quartet tests the waters with remote and AI performances
By Varun Swarup
Interview expérimental / contemporain/Rock/Experimental / Contemporary
Lydia Lunch + Retrovirus at Taverne Tour : The charm of dissonance
By Patrick Baillargeon
Album review Africa/Rock/Electronic/Americana/expérimental / contemporain/Brazilian/classique/Classical/Folk/Psychedelia 2022
PAN M 360’s Top 100 Albums of 2022 (Part 1)
By Rédaction PAN M 360
Album review Africa/Rock/Electronic/Americana/expérimental / contemporain/Brazilian/classique/Classical/Folk/Psychedelia 2022
PAN M 360’s Top 100 Albums of 2022 (Part 2)
By Rédaction PAN M 360
Album review Africa/Rock/Electronic/Americana/expérimental / contemporain/Brazilian/classique/Classical/Folk/Psychedelia/Reggae 2022
PAN M 360’s Top 100 Albums of 2022 (Part 3)
By Rédaction PAN M 360
Album review Africa/Rock/Electronic/Americana/expérimental / contemporain/Brazilian/classique/Classical/Folk/Psychedelia 2022
PAN M 360’s Top 100 Albums of 2022 (Part 4)
By Rédaction PAN M 360
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2022
No Hay Banda – I Had A Dream About This Place
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2022
Anna Prohaska/Isabelle Faust – Kurtag : Kafka Fragmente
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2022