Noise
Interview expérimental / contemporain/Experimental / Contemporary/Rock
A Place To Bury Strangers on Building Sonic Weapons and Playing Shows That Feel Like Car Crashes
By Stephan Boissonneault
Album review Folk/Americana/Electronic/Experimental / Contemporary/expérimental / contemporain/Rock 2024
Kee Avil – Spine (Top Albums 2024)
By Alain Brunet
Album review Rock/Experimental / Contemporary/expérimental / contemporain 2024
Chat Pile – Cool World (Top Albums 2024)
By Stephan Boissonneault
Interview Electronic/expérimental / contemporain/Experimental / Contemporary/Rock
Victime / En Conversation Avec… The Concert Follows The Album
By Alain Brunet
Interview Electronic/expérimental / contemporain/Experimental / Contemporary
Akousma | Olivier Alary, from Björk to AI
By Alain Brunet
What to watch expérimental / contemporain/Rock/Experimental / Contemporary
Yoo Doo Right – Eager Glacier
By Stephan Boissonneault
Album review Rock/Experimental / Contemporary/expérimental / contemporain 2024
Bonnie Trash – My Love Remains The Same
By Stephan Boissonneault
Album review Experimental / Contemporary/expérimental / contemporain/noise 2024
Uboa – Impossible Light
By Laurent Bellemare
Concert review Rock/Experimental / Contemporary/expérimental / contemporain/punk hardcore
Heretics in a Church Basement at the Truck Violence Album Launch
By Lyle Hendriks
Interview Rock/Folk/Americana/Experimental / Contemporary/expérimental / contemporain
Truck Violence Burns It Down and Starts Again
By Lyle Hendriks
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2024
The Nausea – Requiem
By Frédéric Cardin
What to watch Rock/Experimental / Contemporary/expérimental / contemporain/punk hardcore
Truck Violence – Undressed you layn’t before
By Stephan Boissonneault
Album review Experimental / Contemporary/expérimental / contemporain/Hip Hop 2024
Kim Gordon – The Collective
By Patrick Baillargeon
Concert review expérimental / contemporain/Jazz/Experimental / Contemporary/Rock
Taverne Tour, Day 1: Yonatan Gat, planet guitar
By Alain Brunet
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Électro 2023
PAN M 360 / TOP 100 : OZmotic & Fennesz – Senzatempo
By Théo Reinhardt
Album review Rock/expérimental / contemporain/Metal/Experimental / Contemporary 2023
Gnaw Their Tongues – The Cessation of Suffering
By Laurent Bellemare
Interview expérimental / contemporain/Experimental / Contemporary
Suoni Previews: KY or Weird sound collages and some ‘nerd shit’
By Stephan Boissonneault
Interview expérimental / contemporain/Rock/Experimental / Contemporary
Lydia Lunch + Retrovirus at Taverne Tour : The charm of dissonance
By Patrick Baillargeon
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2022
No Hay Banda – I Had A Dream About This Place
By Frédéric Cardin
Concert review Africa/Folk/Americana/expérimental / contemporain/Electronic/Hip Hop/Rock/Experimental / Contemporary
Osheaga 2022: The Good, The Bad, and The Gleaming
By Stephan Boissonneault
Album review expérimental / contemporain/Jazz/Hip Hop/Experimental / Contemporary/Soul/R&B 2022
Moor Mother – Jazz Codes
By Varun Swarup
Interview Pop/Electronic/expérimental / contemporain/Experimental / Contemporary/Rock
The silence, it screams and it laughs, a conversation with Montreal’s Kee Avil
By Stephan Boissonneault
Album review Folk/Americana/Rock/Jazz/Classical/classique/expérimental / contemporain/Experimental / Contemporary 2022
Thus Owls – Who Would Hold You If The Sky Betrayed Us?
By Alain Brunet
Album review Experimental / Contemporary/expérimental / contemporain/Rock 2022