Noise
Album review expérimental / contemporain/Experimental / Contemporary/Rock 2026
A Place To Bury Strangers – Rare and Deadly
By Stephan Boissonneault
Album review Rock/expérimental / contemporain/Experimental / Contemporary 2025
Geese – Getting Killed
By Stephan Boissonneault
Interview Brazilian/Jazz/expérimental / contemporain/Experimental / Contemporary
ONJ | RIP Hermeto Pascoal (1936-2025), Let Us Celebrate His Pure Genius
By Alain Brunet
Interview Experimental/Rock/Experimental / Contemporary/expérimental / contemporain
FME 2025: You II Avec Nolan Potter—triple-headed noise jazz rock
By Stephan Boissonneault
Concert review Electronic/Experimental / Contemporary/expérimental / contemporain/Experimental/noise
MUTEK | Daniela Huerta, brujedos from the inside of the earth
By Sandra Gasana
Interview Electronic/classique/Rock/expérimental / contemporain/Experimental / Contemporary/Moyen-Orient / Levant / Maghreb
Suoni | Sanam, the art of living and surviving in Beirut
By Alain Brunet
Interview Folk/Americana/Pop/Rock/Électro/expérimental / contemporain/Classical/classique/Experimental / Contemporary/Punk
25 Years of Suoni Per Il Popolo
By Alain Brunet
Album review Rock/expérimental / contemporain/Electronic/Experimental / Contemporary 2025
Model/Actriz – Pirouette
By Stephan Boissonneault
Interview expérimental / contemporain/Experimental / Contemporary/Rock
A Place To Bury Strangers on Building Sonic Weapons and Playing Shows That Feel Like Car Crashes
By Stephan Boissonneault
Album review Folk/Americana/Electronic/Experimental / Contemporary/expérimental / contemporain/Rock 2024
Kee Avil – Spine (Top Albums 2024)
By Alain Brunet
Album review Rock/Experimental / Contemporary/expérimental / contemporain 2024
Chat Pile – Cool World (Top Albums 2024)
By Stephan Boissonneault
Interview Electronic/expérimental / contemporain/Experimental / Contemporary/Rock
Victime / En Conversation Avec… The Concert Follows The Album
By Alain Brunet
Interview Electronic/expérimental / contemporain/Experimental / Contemporary
Akousma | Olivier Alary, from Björk to AI
By Alain Brunet
What to watch expérimental / contemporain/Rock/Experimental / Contemporary
Yoo Doo Right – Eager Glacier
By Stephan Boissonneault
Album review Rock/Experimental / Contemporary/expérimental / contemporain 2024
Bonnie Trash – My Love Remains The Same
By Stephan Boissonneault
Album review Experimental / Contemporary/expérimental / contemporain/Experimental 2024
Uboa – Impossible Light
By Laurent Bellemare
Concert review Rock/Experimental / Contemporary/expérimental / contemporain/Punk
Heretics in a Church Basement at the Truck Violence Album Launch
By Lyle Hendriks
Interview Rock/Folk/Americana/Experimental / Contemporary/expérimental / contemporain
Truck Violence Burns It Down and Starts Again
By Lyle Hendriks
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2024
The Nausea – Requiem
By Frédéric Cardin
What to watch Rock/Experimental / Contemporary/expérimental / contemporain/Punk
Truck Violence – Undressed you layn’t before
By Stephan Boissonneault
Album review Experimental/Experimental / Contemporary/expérimental / contemporain/Hip Hop 2024
Kim Gordon – The Collective
By Patrick Baillargeon
Concert review expérimental / contemporain/Jazz/Experimental / Contemporary/Rock
Taverne Tour, Day 1: Yonatan Gat, planet guitar
By Alain Brunet
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Électro 2023
PAN M 360 / TOP 100 : OZmotic & Fennesz – Senzatempo
By Théo Reinhardt
Album review Rock/expérimental / contemporain/Metal/Experimental / Contemporary 2023