Noise
Album review expérimental / contemporain/Rock/Experimental / Contemporary 2024
Cell Press – Cages
By Alexander Quiquero
Album review Experimental / Contemporary/expérimental / contemporain/Hip Hop 2024
Kim Gordon – The Collective
By Patrick Baillargeon
Album review Experimental / Contemporary/expérimental / contemporain/Rock
The First Eloi – Low Glow
By Alexander Quiquero
Concert review expérimental / contemporain/Jazz/Experimental / Contemporary/Rock
Taverne Tour, Day 1: Yonatan Gat, planet guitar
By Alain Brunet
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Électro 2023
PAN M 360 / TOP 100 : OZmotic & Fennesz – Senzatempo
By Théo Reinhardt
Album review Rock/expérimental / contemporain/Metal/Experimental / Contemporary 2023
Gnaw Their Tongues – The Cessation of Suffering
By Laurent Bellemare
Interview expérimental / contemporain/Experimental / Contemporary
Suoni Previews: KY or Weird sound collages and some ‘nerd shit’
By Stephan Boissonneault
Interview expérimental / contemporain/Rock/Experimental / Contemporary
Lydia Lunch + Retrovirus at Taverne Tour : The charm of dissonance
By Patrick Baillargeon
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2022
No Hay Banda – I Had A Dream About This Place
By Frédéric Cardin
Concert review Africa/Folk/Americana/expérimental / contemporain/Electronic/Hip Hop/Rock/Experimental / Contemporary
Osheaga 2022: The Good, The Bad, and The Gleaming
By Stephan Boissonneault
Album review expérimental / contemporain/Jazz/Hip Hop/Experimental / Contemporary/Soul/R&B 2022
Moor Mother – Jazz Codes
By Varun Swarup
Interview Pop/Electronic/expérimental / contemporain/Experimental / Contemporary/Rock
The silence, it screams and it laughs, a conversation with Montreal’s Kee Avil
By Stephan Boissonneault
Album review Folk/Americana/Rock/Jazz/Classical/classique/expérimental / contemporain/Experimental / Contemporary 2022
Thus Owls – Who Would Hold You If The Sky Betrayed Us?
By Alain Brunet
Album review Experimental / Contemporary/expérimental / contemporain/Rock 2022
Boris – W
By Luc Marchessault
Album review expérimental / contemporain/Experimental / Contemporary/Rock/Psychedelia 2022
A Place to Bury Strangers – See Through You
By Stephan Boissonneault
Album review Electronic/expérimental / contemporain/Indigenous peoples/Experimental / Contemporary/Rock 2022
Tanya Tagaq – Tongues
By Alain Brunet
Album review Electronic/expérimental / contemporain/Rock/Experimental / Contemporary 2021
Dans le monde des variants – |
By Luc Marchessault
Album review classique/Traditional/Electronic/expérimental / contemporain/Experimental / Contemporary 2021
Jerusalem In My Heart – Qalaq
By Alain Brunet
What to watch Electronic/expérimental / contemporain/Experimental / Contemporary
Fennesz live@grillx
By Michel Rondeau
Album review Rock/Experimental / Contemporary/expérimental / contemporain 2020
2R0I2P0
By Alain Brunet
Album review Folk/Americana/Rock/Classical/classique/Jazz/Electronic/Experimental / Contemporary/expérimental / contemporain 2020
Share The Wealth
By Alain Brunet
Album review Electronic/expérimental / contemporain/Jazz/Rock/Experimental / Contemporary 2020
Difference and Repetition – A musical evocation of Gilles Deleuze
By Luc Marchessault
Album review expérimental / contemporain/Hip Hop/Experimental / Contemporary 2020
Visions of Bodies Being Burned
By Yohann Goyat
Album review Electronic/Hip Hop/Rock/Experimental / Contemporary/expérimental / contemporain 2020