Festival de Lanaudière | Kent Nagano: The eternal, and always welcome, return

Interview by Frédéric Cardin
Genres and styles : Classical / classique

Additional Information

No need to be a contemporary sociologist or anthropologist to know that a powerful connection has been made between conductor Kent Nagano and the Quebec audience. Since his departure from the post of conductor of the OSM, he has returned several times, always to a warm audience that welcomes him like one of the family. This proximity, the American conductor had perceived, and felt the possibilities from the moment he arrived in Montreal. His strength is that he nestled into it naturally with authenticity. In return, Quebecers, even the least “classical”, the least intellectual, regularly drank in his public interventions, despite the calm, even slow, pace and lack of showmanship in his sentences. An interesting paradox in a society so infatuated with its comedians, its loud-mouthed and colorful popular figures. In short, each of his returns is anticipated. The one on August 1st at the Lanaudière Festival is no exception. With “his” former OSM, he will conduct a balanced program, without flamboyance, which will leave a lot of room for the Nagano style: the precise drawing of the symphonic discourse and the elegant blossoming of emotions. I discussed with the maestro of the program (Webern, Debussy, Brahms) and many other things, including his love for Quebec, during a very generous interview of about thirty minutes, conducted in English, even though, as we know, he speaks French. Question of fluidity. Such a beautiful interview that I didn’t dare “edit” it by removing elements. As a result, I suggest you listen to it in pieces, six in total, from the first question to the last. Happy listening.
DETAILS AND TICKETS FOR KENT NAGANO’S CONCERT IN LANAUDIÈRE

Question 1: Assessment of the last 10 years or so in Hamburg

Question 2: Upcoming projects

Question 3: How did he construct the program for the August 1st concert

Question 4: His vision of Brahms in light of historically informed performance

Question 5: What differences does he see between the OSM he left and the one he is now returning to?

Question 6: his vision of the warm relationship he maintains with Montreal and Quebec society in general

Latest 360 Content

Présence autochtone 2026 | We talk about the Programming with the Director

Présence autochtone 2026 | We talk about the Programming with the Director

Concerts aux Îles du Bic | Samaqani Cocahq Gives Voice to Wolastoq Traditions

Concerts aux Îles du Bic | Samaqani Cocahq Gives Voice to Wolastoq Traditions

Concerts aux Îles du Bic | Pierre-Luc Lecours and the Ensemble Modulaire: Between Sound, Image, and the Moment

Concerts aux Îles du Bic | Pierre-Luc Lecours and the Ensemble Modulaire: Between Sound, Image, and the Moment

Concerts aux Îles du Bic | Andrea Stewart: “We’re always creating”

Concerts aux Îles du Bic | Andrea Stewart: “We’re always creating”

Lanaudière 2026 | Saskia Giorgini : The Italian Piano

Lanaudière 2026 | Saskia Giorgini : The Italian Piano

Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It

Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It

Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve

Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve

Nuits d’Afrique 2026 | Forro das Comadres: the Women’s Forro

Nuits d’Afrique 2026 | Forro das Comadres: the Women’s Forro

Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal

Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal

Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra

Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra

Nuits d’Afrique 2026 | Somos Más, A Feminine and Plural Harmonies

Nuits d’Afrique 2026 | Somos Más, A Feminine and Plural Harmonies

Nuits d’Afrique 2026 | The people of Guinea, Represented by their State, Pay Tribute to the “Baobab of the Night”

Nuits d’Afrique 2026 | The people of Guinea, Represented by their State, Pay Tribute to the “Baobab of the Night”

Soul of Zoo Unveils “Connection,” The Result of Collaborations From Here and Abroad

Soul of Zoo Unveils “Connection,” The Result of Collaborations From Here and Abroad

FIJM 2026 | A Love Supreme played straightforward by Isaiah Collier’s Quartet

FIJM 2026 | A Love Supreme played straightforward by Isaiah Collier’s Quartet

FIJM 2026 | Day 10 | July 4 | Modibo Keita’s Picks

FIJM 2026 | Day 10 | July 4 | Modibo Keita’s Picks

FIJM 2026 | Aretha Tillotson Pays Tribute to Western Canada

FIJM 2026 | Aretha Tillotson Pays Tribute to Western Canada

FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!

FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!

FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival

FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival

FIJM 2026 | Day 9 | Modibo Keita’s Picks

FIJM 2026 | Day 9 | Modibo Keita’s Picks

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

FIJM 2026 | Day 8 | July 2 | Modibo Keita’s Picks

FIJM 2026 | Day 8 | July 2 | Modibo Keita’s Picks

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant

FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant

FIJM 2026 | If you love alto sax, you gotta know Immanuel Wilkins

FIJM 2026 | If you love alto sax, you gotta know Immanuel Wilkins

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers