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« expérimental / contemporain

Experimental / Contemporary Noise / Drone / Free Improvisation / Invented Instrumental / Melodic Noise / Experimental Dream Pop / Experimental

SAMWOY debuts with the garage disco punk track “Sbwriel”
What to watch expérimental / contemporain

SAMWOY debuts with the garage disco punk track “Sbwriel”

By Stephan Boissonneault
Esmerine – Everything Was Forever Until It Was No More
Album review expérimental / contemporain/Classical/classique 2022

Esmerine – Everything Was Forever Until It Was No More

By Varun Swarup
Kaitlyn Aurelia Smith – Let’s Turn It Into Sound
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Classical/classique 2022

Kaitlyn Aurelia Smith – Let’s Turn It Into Sound

By Alain Brunet
MUTEK 2022 / “SPILLOVER,” A MULTI-SENSORY EXPERIENCE BETWEEN NATURE AND HUMANITY
Interview Electronic/Experimental / Contemporary/expérimental / contemporain

MUTEK 2022 / “SPILLOVER,” A MULTI-SENSORY EXPERIENCE BETWEEN NATURE AND HUMANITY

By Salima Bouaraour
MUTEK 2022: Liliane Chlela on her electronic illustration of good versus evil
Interview Experimental / Contemporary/expérimental / contemporain/Electronic

MUTEK 2022: Liliane Chlela on her electronic illustration of good versus evil

By Stephan Boissonneault
Elizabete Balčus announces a new album and tour with “Narcissism Purgatory”
What to watch Experimental / Contemporary/expérimental / contemporain

Elizabete Balčus announces a new album and tour with “Narcissism Purgatory”

By Stephan Boissonneault
Osheaga 2022: The Good, The Bad, and The Gleaming
Concert review Africa/Folk/Americana/expérimental / contemporain/Electronic/Hip Hop/Rock/Experimental / Contemporary

Osheaga 2022: The Good, The Bad, and The Gleaming

By Stephan Boissonneault
Staraya Derevnya – Tangled Hands (feat. Galya Chikiss)
What to watch expérimental / contemporain/Experimental / Contemporary/Rock/Folk/Americana

Staraya Derevnya – Tangled Hands (feat. Galya Chikiss)

By Luc Marchessault
Ifriqiyya Electrique or the kind of possession I can get behind
Column Experimental / Contemporary/expérimental / contemporain/Electronic

Ifriqiyya Electrique or the kind of possession I can get behind

By Stephan Boissonneault
Ben Shemie – The Mirror + The Future Indefinite
What to watch Electronic/expérimental / contemporain/Pop

Ben Shemie – The Mirror + The Future Indefinite

By Luc Marchessault
JOYFULTALK – Familiar Science
Album review Jazz/expérimental / contemporain/Rock 2022

JOYFULTALK – Familiar Science

By Clint Hoekstra
Daniel Monkman of Zoon discusses his latest EP and how it all ties in with the lies brought forth by the pharma industry
Interview expérimental / contemporain/Hip Hop/Folk/Americana/Rock

Daniel Monkman of Zoon discusses his latest EP and how it all ties in with the lies brought forth by the pharma industry

By Stephan Boissonneault
Medicine Singers – Medicine Singers
Album review expérimental / contemporain/Experimental / Contemporary/Sacred Music 2022

Medicine Singers – Medicine Singers

By Patrick Baillargeon
Moor Mother – Jazz Codes
Album review expérimental / contemporain/Jazz/Hip Hop/Experimental / Contemporary/Soul/R&B 2022

Moor Mother – Jazz Codes

By Varun Swarup
Nick Cave – Seven Psalms
Album review Experimental / Contemporary/expérimental / contemporain/Spoken Word 2022

Nick Cave – Seven Psalms

By Thomas Moultrie
Praises – In This Year: Hierophant
Album review Rock/Pop/expérimental / contemporain 2022

Praises – In This Year: Hierophant

By Levi Gogerla
Brandon Valdivia of Mas Aya on ‘raging against the machines,’ the Toronto experimental scene, and fostering a new wave of musicians in his house
Interview Jazz/Electronic/expérimental / contemporain

Brandon Valdivia of Mas Aya on ‘raging against the machines,’ the Toronto experimental scene, and fostering a new wave of musicians in his house

By Stephan Boissonneault
POLIÇA – Madness
Album review Pop/expérimental / contemporain/Electronic 2022

POLIÇA – Madness

By Lyle Hendriks
The silence, it screams and it laughs, a conversation with Montreal’s Kee Avil
Interview Pop/Electronic/expérimental / contemporain/Experimental / Contemporary/Rock

The silence, it screams and it laughs, a conversation with Montreal’s Kee Avil

By Stephan Boissonneault
Meet Bonnie Trash, a new drone-rock sister twins duo, with the sinister single “Teeth”
What to watch Experimental / Contemporary/expérimental / contemporain/Rock

Meet Bonnie Trash, a new drone-rock sister twins duo, with the sinister single “Teeth”

By Stephan Boissonneault
A Place To Bury Strangers: Climbing the sound barrier
Interview expérimental / contemporain/Rock

A Place To Bury Strangers: Climbing the sound barrier

By Alain Brunet
Tess of the Über-Voice
Interview Electronic/expérimental / contemporain/Folk/Americana

Tess of the Über-Voice

By Luc Marchessault
Distorsion is back with another concert series in July
Column Rock/expérimental / contemporain

Distorsion is back with another concert series in July

By Stephan Boissonneault
Mats Gustaffson next explosions
Interview Classical/classique/expérimental / contemporain/Experimental / Contemporary/Jazz

Mats Gustaffson next explosions

By Alain Brunet
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