Fans of francophone pop will now have to count in singer Amay Laoni and her sidekick Étienne Chagnon, producer, beatmaker, and multi-instrumentalist. With few exceptions, Étienne’s tracks, on which Amélie Larocque (real name) lays her powerful voice, are robust, muscular, dynamic, and eminently attractive. Rigorously arranged and mixed, the grooves presented here have enough thickness and textural diversity to find their place in francophone Europe (generally not very inclined to Quebec productions of this type), or even in the dense global synth-pop jungle. For some songs, the duo opted to co-write, enlisting the services of Mike Clay, Loud, Eli Rose, and Benny Adam. The mass potential is more than obvious, so few French-speaking acts in America reach this pop level without suffering from some global lag. Certainly, Le Tournant has the qualities necessary for mass distribution… and for acclaim, which is extremely rare in the musical landscape. A few extra touches in the beatmaking and writing of the lyrics could eventually make the difference between a work of its time and an outstanding one. We aren’t there yet, but this new chapter marks a real step forward for the duo. Obviously, these young people with a winning spirit are very serious! A career to be followed closely.
Latest 360 Content
Album review Classical/classique 2024
Orchestre du Centre national des Arts/Orchestre symphonique de Québec/Choeur Mendelssohn/Jean-Sébastien Vallée, dir. – Jacques Hétu : Symphonie no 5 op.81
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique 2024
Alexandre David – Photogrammes
By Frédéric Cardin
Album review Classical/classique 2024
Matthieu Lussier/Amanda Keesmaat/Christophe Gauthier – Un basson sous l’Empire : la musique d’Étienne Ozi
By Frédéric Cardin
Concert review Electronic
Igloofest 2nd Night: Wild Card with Apashe, Marie Davidson, Dileta
By Loic Minty
Interview expérimental / contemporain/Musique de création
Montréal / Nouvelles Musiques : ¡Némangerie mâchée! Voice / Video Conversation
By Alain Brunet
Concert review
First Night of Igloofest 2025: Tali Rose and Michael Bibi’s Party
By Félicité Couëlle-Brunet
Concert review classique/Classical/orchestre/période moderne
OSM | Mahler, Payare and The OSM: Between Inner Turmoil, Light and Fatality, a Powerful Evening.
By Hélène Archambault
Interview Métal/métal progressif/Rock
Voivod + OSM = Symphonic Metal! The Maestra Explains
By Alain Brunet
Interview Métal/métal progressif/Rock
Voivod + OSM = Symphonic Metal! Michel Langevin Explains
By Alain Brunet
Interview Musiques du Monde
Intimate concerts to delve into music and emotions at the Centre des musiciens du monde
By Frédéric Cardin
Interview Africa/Hip Hop/latino
KingAlexBeats, From Laval to Miami, From Local Culture to Shakira and Pitbull
By Alain Brunet
Album review Classical/classique/expérimental / contemporain/Métal/Modern music 2024
Ensemble Tikoro – Hell Chamber
By Laurent Bellemare
Album review Rock/death metal progressif/Metal 2024
Mitochondrion – Vitriseptome
By Laurent Bellemare
Interview Africa/Musiques du Monde