Progeny of American minimalism, the musicians of the New York ensemble Bing & Ruth use double bass (Jeff Ratner), clarinet (Jeremy Viner), and above all a Farfisa organ (composer David Moore), the electronic keyboard once used by the pioneers of this now inescapable variant of contemporary music. It seems that this contemplative music was also inspired by running, which David Moore is passionate about, and practiced in the Texas desert during the gestation period of Species. The double bass and clarinet, used in an atypical way, are almost unrecognizable from the outset, as the linearity of the playing and the singularity of the sound modify their identity in this context, where their microvariations blend discreetly into the sound of the electronic organ. Thus, the three instruments gathered here constitute a rich layering of frequencies generated in real time, without any superimposition or editing subsequent to the studio sound recording. Needless to say, several listenings are necessary to identify the nuggets of inspiration found in the sediments of these beautifully crafted pieces, which are less generic than we first thought.
Latest 360 Content
Concert review expérimental / contemporain/Soul/R&B/Hip Hop
SUONI | Kalmunity: STARS SHINE DARKLY in a night of powerful words, words of love and raging roars, healing grooves and dissent manners
By Z Neto Vinheiras
Concert review expérimental / contemporain/Classical/classique/Jazz
Suoni 2025 | Farida Amadou ++: an apotheosis of adrenaline discharge
By Frédéric Cardin
Concert review expérimental / contemporain/Classical/classique
Suoni 2025 | Bozzini + Sarah Hennies: contrasts in post-minimalism
By Frédéric Cardin
Interview Jazz
Jazz at the Festival International de Jazz de Montréal explained by Modibo Keita
By Alain Brunet
Concert review classique
Montreal Chamber Music Festival | But it was a nice concert…
By Frédéric Cardin
Concert review Classical/classique
Montréal Baroque 2025 | 4 seasons: welcome to the 21st century and the climate crisis, Mr. Vivaldi
By Frédéric Cardin
Concert review expérimental / contemporain
Suoni | Contemporary Improvisation, Latin American Discovery
By Alain Brunet
Concert review Chanson francophone/Pop
Francos | The Candor and Kindness of Aliosha Schneider
By Marilyn Bouchard
Concert review Hip Hop/rap/Hip Hop
Francos | Back in Time With Saïan Supa Celebration
By Sandra Gasana
Interview Classical/classique
Festival d’art vocal de Montréal | What’s On July 2-27 at Salle Claude-Champagne?
By Alain Brunet
Interview Electronic/Moyen-Orient / Levant / Maghreb
Piknik Elektronic | Nadim Maghzal, Laylit Co-Founder : MTL Middle East Arabic Electronic Refinement, Pleasure, Fun!
By Loic Minty
Concert review Electronic/classique/Arabic/expérimental / contemporain/Rock
Suoni | Sanam, Beirut’s Eloquence on The Brink of Danger
By Alain Brunet
Concert review Jazz/Electronic/expérimental / contemporain/Soul/R&B
Suoni | Watch that ends the night records Quinton Barnes + Jason Doell & Naomi McCarroll-Butler + Liam Cole + Alex “Bad Baby” Lukashevsky
By Z Neto Vinheiras
Concert review Electronic/expérimental / contemporain/Musical Theatre
Suoni | My Thursday at the Suoni: Alex Lukashevsky, Cabaret Noir…
By Félicité Couëlle-Brunet
Interview classique/Classical/Eastern European/latino/Traditional/Musique traditionnelle mongole (khöömii)
My musical garage: interview with Ziya Tabassian for the 11th edition of Garage Concerts
By Frédéric Cardin
Concert review expérimental / contemporain