Contemporary
Album review Electronic/Classical/classique/Musiques du Monde 2026
Kaoru Watanabe – The Arch
By Frédéric Cardin
Concert review Classical/classique
Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”
By Frédéric Cardin
Album review Classical/classique 2026
Susan Fancher/Ināra Zandmane – Strange Lights
By Frédéric Cardin
Concert review classique/Classical
SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music
By Pietro Freiburger
Concert review Classical/classique
Azrieli Prize 2026: The Four Pillars of the Temple
By Frédéric Cardin
Interview Classical/classique
Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours
By Frédéric Cardin
Interview Classical/classique
Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle
By Frédéric Cardin
Interview Classical/classique
Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2026
Liberté Anne & Frotae – Volume 2
By Frédéric Cardin
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Flux 2026 | Liberté-Anne presents Frotae vol. 2
By Frédéric Cardin
Interview Pop/Classical/classique/expérimental / contemporain/Experimental / Contemporary
Flux 2026 | No Hay Banda invites Erika Angell and pays tribute to Suoni per il popolo
By Frédéric Cardin
Concert review Classical/classique
QMP 2026 | Épatants quatuors de George Lewis par Bozzini
By Frédéric Cardin
Concert review Rock/Classical/classique/Jazz/free-rock/Experimental / Contemporary/expérimental / contemporain
QMP 2026 | Ackermann and D’Orion : the Complementarity of Extremes
By Frédéric Cardin
Concert review Classical/classique/Traditional
MÁM from Teaċ Daṁsa: The Ireland of All Dreams
By Frédéric Cardin
Album review Rock/Classical/classique/expérimental / contemporain/Experimental / Contemporary 2026
Erick D’Orion – Mes fantômes
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Bozzini Quartet plays the quartets of an icon of avant-garde jazz: George Lewis
By Frédéric Cardin
Interview classique/Classical/Création
Opér’actuel | From Grief Comes Creation: Rachel Krehm’s Journey Through Her Opera Come Closer
By Alexandre Villemaire