Classical / Contemporary

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

by Pietro Freiburger

On October 21st, at the Canadian Center of Architecture, the Chapelle Historique’s programming proposed a concert by the SQMC with a wide variety of contemporary music by Quebec’s composers, performed by the two aces Philippe Prud’homme and Louise Bessette.

The first positive note of the concert is the introduction to each piece, enriched by the presence of some of the composers in the audience. The concert begins with the Suite pour piano by Jean Papineau-Couture, a great name of Quebec’s music. The piece, with clear neoclassical features, and with sounds à la Hindemith, passes easily from serene to tense, in a beautiful range of emotions and atmospheres that follow one another in a pleasant way. This piece highlights the virtuosity of Prud’homme and his ability to create refined sounds. It continues with Six Preludes by Francis Battah, a young composer already established on the Canadian scene. These pieces demonstrate an original aesthetic, sometimes jazzy sometimes restless. There is something Debussian in Battah’s work, which treats the piano with great attention to sound and timbre, in short, to the expressive possibilities of the instrument, and Prud’homme interprets all this with class. The creation of the evening is Latence by Alexandre David: a piece that is a seamless musical exploration and that embodies the idea of the title very well. This is followed by Intérieur, jour by Nicolas Gilbert, who describes his piece as intimité retrouvée. The piece, written in 2020 during COVID-19, transports the audience into a lunar, suspended atmosphere, sometimes interrupted by ornamental moments of baroque reminiscence. All performed with great lucidity by Louise Bessette, an icon of contemporary Quebec pianism. In Fragments by Serge Arcuri, the resonance of the harmonics of the bells runs through the whole piece, also masterfully performed by the artist. The evening closes with Les planètes by Walter Boudreau, containing various pieces rich in register contrasts and lively in rhythm, which return the image of a constellation of planets. A special mention to the two performers, who have been able to take the audience on a long journey through the music of our time with intellectual honesty and artistic dedication.

photo : Pietro Freiburger

Latest 360 Content

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Gilla Band – Pugnello

Gilla Band – Pugnello

David Bowie – The Shel Talmy Recordings

David Bowie – The Shel Talmy Recordings

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Arion: Cinderella has fun and unleashes her magic

Arion: Cinderella has fun and unleashes her magic

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Azrieli Prize 2026: The Four Pillars of the Temple

Azrieli Prize 2026: The Four Pillars of the Temple

Fat Dog – Cancel Me (I’m Tired)

Fat Dog – Cancel Me (I’m Tired)

Protomartyr – Hotel Usona

Protomartyr – Hotel Usona

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Girl Ultra – RRRomeo

Girl Ultra – RRRomeo

Cameron Winter – Live at Carnegie Hall

Cameron Winter – Live at Carnegie Hall

Eveybody’s Friends With Broken Social Scene

Eveybody’s Friends With Broken Social Scene

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers