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« Electronic

Industrial

MUTEK 2024 | Factory Floor, Not Exactly on The Rug
Concert review Rock/Electronic

MUTEK 2024 | Factory Floor, Not Exactly on The Rug

By Alain Brunet
MUTEK 2024 | Amnesia Scanner & Freeka Tet, Brutal and Refined
Concert review Electronic/Rock

MUTEK 2024 | Amnesia Scanner & Freeka Tet, Brutal and Refined

By Alain Brunet
Phi Centre | Kee Avil plays the material of SPINE
Interview Folk/Americana/Rock/Electronic/expérimental / contemporain

Phi Centre | Kee Avil plays the material of SPINE

By Alain Brunet
SINthetik Messiah – Der Anfang
What to watch Electronic

SINthetik Messiah – Der Anfang

By Stephan Boissonneault
Pop Montréal : Joe Rainey, pow wow of another kind
Interview Electronic/Indigenous peoples/Sacred Music

Pop Montréal : Joe Rainey, pow wow of another kind

By Alain Brunet
MUTEK 2022: Liliane Chlela on her electronic illustration of good versus evil
Interview Experimental / Contemporary/expérimental / contemporain/Electronic

MUTEK 2022: Liliane Chlela on her electronic illustration of good versus evil

By Stephan Boissonneault
Ifriqiyya Electrique or the kind of possession I can get behind
Column Experimental / Contemporary/expérimental / contemporain/Electronic

Ifriqiyya Electrique or the kind of possession I can get behind

By Stephan Boissonneault
Ifriqiyya Électrique: Post-industrial Rituals
Interview Africa/Electronic/Maghrebi/Traditional

Ifriqiyya Électrique: Post-industrial Rituals

By Luc Marchessault
The silence, it screams and it laughs, a conversation with Montreal’s Kee Avil
Interview Pop/Electronic/expérimental / contemporain/Experimental / Contemporary/Rock

The silence, it screams and it laughs, a conversation with Montreal’s Kee Avil

By Stephan Boissonneault
BEATS at MUTEK: Two SATurnalian Nights in Search of the Virtual Heart
Interview Electronic

BEATS at MUTEK: Two SATurnalian Nights in Search of the Virtual Heart

By Louise Jaunet
Shadow of Fear
Album review Electronic 2020

Shadow of Fear

By Patrick Baillargeon
Existential Reckoning
Album review Rock/Electronic 2020

Existential Reckoning

By Yohann Goyat
Agalma
Album review Electronic 2020

Agalma

By Geneviève Gendreau
Difference and Repetition – A musical evocation of Gilles Deleuze
Album review Electronic/expérimental / contemporain/Jazz/Rock/Experimental / Contemporary 2020

Difference and Repetition – A musical evocation of Gilles Deleuze

By Luc Marchessault
Laibach: “Smrt za Smrt (REvisited)”
What to watch Electronic/expérimental / contemporain

Laibach: “Smrt za Smrt (REvisited)”

By Geneviève Gendreau
Bestial Mouths: “The Loss”
What to watch expérimental / contemporain/Rock/Electronic

Bestial Mouths: “The Loss”

By Geneviève Gendreau
Sara Dale’s Sensual Massage
Album review Electronic/expérimental / contemporain 2020

Sara Dale’s Sensual Massage

By Geneviève Gendreau
Vertigo KO
Album review Electronic/Rock/Experimental / Contemporary/expérimental / contemporain/Classical/classique 2020

Vertigo KO

By Alain Brunet
Tati au Miel: Super noise
Interview Electronic/expérimental / contemporain/Experimental / Contemporary

Tati au Miel: Super noise

By Alain Brunet
Alexis Langevin-Tétrault: Hypercubist
Interview Electronic/expérimental / contemporain/Experimental / Contemporary

Alexis Langevin-Tétrault: Hypercubist

By Alain Brunet
The Octagonal Stairway EP
Album review Rock/Electronic/Experimental / Contemporary/expérimental / contemporain 2020

The Octagonal Stairway EP

By Christine Fortier
Uniform: “Dispatches From the Gutter”
What to watch Electronic/Rock

Uniform: “Dispatches From the Gutter”

By Louise Jaunet
RESURRECTEDINBLACK
Album review expérimental / contemporain/Rock/Electronic 2020

RESURRECTEDINBLACK

By Geneviève Gendreau
Black & Red: “On The Day The Earth Went Mad”
What to watch Electronic/Rock

Black & Red: “On The Day The Earth Went Mad”

By Patrick Baillargeon
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