Country : United States Label : Interscope / The Null Corporation / Walt Disney Genres and styles : Electronic / Industrial / Synthwave Year : 2025

Nine Inch Nails – TRON: Ares (Original Motion Picture Soundtrack)

· by Stephan Boissonneault

There’s been an important tradition of having big names in the electronic music scene do the soundtracks fro the TRON film franchise. We had one of the synthesizer Moog pioneers, Wendy Carlos, do the original score for the 1982 film, and the now-defunct, masked French synth duo Daft Punk did a great score for TRON: Legacy back in 2010. Now we have Trent Reznor and Atticus Ross teaming up for the umpteenth time (last time was for Challengers) to do the new soundtrack for TRON: Ares, which would be no real huge news, but this new soundtrack is credited as Nine Inch Nails, and is technically part of the group’s album repertoire. It’s kind of a weird choice, but TRON: Ares did promise to be a darker and more brooding addition to the TRON films, so I guess they needed a darker electro-centric band? NIN would not have been my first choice; I would have gone Carpenter Brut, Petrurbator, or hell, even Burial, but considering everyone knows the name, NIN is a safe choice for the Disney mouse.

Like all film soundtracks, this album is a beast, with 24 songs stretching over an hour. There are a few brief classic NIN moments, and Reznor does flex his scratchy vocal chops on the songs like the anthemic “As Alive As You Need Me To Be,” which even gives a bit of a disco vocoder nod to Daft Punk’s TRON vibe. The lyrics themselves feel pretty cookie-cutter, but overall, it’s a cool dystopian synth tune with some cool industrial flourishes. The next track, “Echoes,” is more minimal and pretty gorgeous with some melancholic electro keys, while “This Changes Everything,” feels like something you’d hear on Radiohead’s King of Limbs, but more club-y. “Infiltrator,” has that sinister and grimey feel from older The Downward Spiral NIN era, but it never really explodes like I wanted it to. I think that’s the problem with most soundtracks—the songs can never be the main thing you remember from the film, so the musicians really have to make it be accompanying music rather than the star of the show. Although, if we go back to a filmn like Challengers, the soundtrack to the film is basically a character.

Honestly, those are the real instrumental tracks that stood out to me. The others aren’t bad, but not very memorable, probably best served with the visuals of the movie. We get more vocals from Reznor on “Who Wants To Live Forever?” that features Judeline, whom I was not aware of, but sounds like Billie Eilish. It’s a nice mix with the ol’ industrial goth dad vocals I know too well. The TRON: Ares soundtrack feels a bit phoned in, and I feel like it can be for a franchise that refuses to die from a band that also refuses to die. I guess the NIN I know is best reserved for my Junior High emo phase and always will be.

Latest 360 Content

Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau

Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau

Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy

Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy

TransQueb – Maelstrom

TransQueb – Maelstrom

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

haha Laughing All the Way to the Bank

haha Laughing All the Way to the Bank

The Four Seasons of Quebec: Interview with François Dompierre

The Four Seasons of Quebec: Interview with François Dompierre

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Brìghde Chaimbeul and Colin Stetson – All the light in the world

Brìghde Chaimbeul and Colin Stetson – All the light in the world

FME 2026 I An Ether Afternoon with Worry

FME 2026 I An Ether Afternoon with Worry

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Double Truck, Double Violence

FME 2026 I Double Truck, Double Violence

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Birds of Prrrey’s Grungey Siren Call

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers