Baroque Pop

Interview Pop/Classical/classique

Abbey Road at Festival Classica

By Varun Swarup

Album review Pop/indie/Rock/Electronic 2025

Perfume Genius – Glory

By Stephan Boissonneault

Album review Electronic/Pop 2025

Oklou – Choke Enough

By Michel Labrecque

Album review Pop/Folk/Americana 2025

Black Country, New Road – Forever Howlong

By Stephan Boissonneault

Album review Pop/Rock 2025

Japanese Breakfast – For Melancholy Brunettes (& sad women)

By Stephan Boissonneault

Album review Pop/Rock 2024

The Lemon Twigs – A Dream Is All We Know (Top Albums 2024)

By Sami Rixhon

Concert review Pop/Rock/Musiques du Monde/psychédélique

Vampire Weekend at Place Bell | Hardened and generous

By Sami Rixhon

Album review Pop/Experimental / Contemporary/expérimental / contemporain/Rock 2024

John Cale – POPtical Illusion 

By Stephan Boissonneault

Album review Pop/Folk/Americana/Electronic 2023

Andy Shauf – Norm

By Lyle Hendriks

Album review Folk/Americana/Pop/Electronic 2022

Elizabete Balčus – Hotel Universe

By Luc Marchessault

Album review Americana/Pop/Brazilian/Jazz 2022

Father John Misty – Chloë and the Next 20th Century

By Steve Naud

Album review Pop/expérimental / contemporain/Rock 2022

Cate Le Bon – Pompeii

By Stephan Boissonneault

Album review Rock/Pop 2022

Black Country, New Road – Ants From Up There

By Stephan Boissonneault

Album review Pop/Soul/R&B 2021

SPELLLING / THE TURNING WHEEL

By Steve Naud

Album review Pop 2020

Unfollow the Rules

By Steve Naud

Interview Pop

Rufus Wainwright: Continuity and end of Act One

By Alain Brunet

Album review Pop/Rock/Singer-Songwriter 2020

Notre-Dame-des-Sept-Douleurs

By Alain Brunet

Interview Pop/Rock/Singer-Songwriter

Klô Pelgag: From Notre-Dame-des-Sept-Douleurs to Notre-Dame-de-l’Assomption

By Alain Brunet

Album review Rock/Pop 2020

A Steady Drip, Drip, Drip

By Patrick Baillargeon

Album review Electronic/Pop/Folk/Americana/Rock 2020

Miss Anthropocene

By Jean Bourbeau