Orientalys 2026 | Qi Shen and Jasmine Xu, an erhu/piano duo, mother/daughter, to discover

Interview by Frédéric Cardin
Genres and styles : musique traditionnelle chinoise

Additional Information

Qi Shen has been playing the erhu since she was very young. Upon arriving in Montreal several years ago, she immediately found a nest to pursue her passion. In the early 2000s, you might have heard her at the Botanical Garden, where she played daily in the Chinese Garden. In the meantime, her daughter Jasmine (Xu, her father’s name) was also learning the instrument, while embarking on a long journey with classical piano. Mother and daughter talk about their erhu/piano duo, an unusual combination, but also about their love of music in general, and the difficult separation, for about twelve years, when Qi was hired by Cirque du Soleil to play in its shows in Macao. While waiting to discover their musical complicity, for free, on Sunday, August 16 at the Orientalys Festival (on the TD stage), get to know them by reading this interview.

INFO FOR THE QI AND JASMINE CONCERT

PANM360: Qi, please start by explaining to us how you became a musician.

Qi Shen: I learned the erhu at a very young age in China. I then continued my studies until university. Upon arriving in Montreal, I was happy to discover a city where people are curious about all cultures. I felt good right away. I quickly found numerous opportunities. I played in the Old Port, in the subway, etc. One day, I was hired by the Botanical Garden to play music in the Chinese Garden, daily. I made a very pleasant nest for myself here.

Qi Shen’s website (concerts, classes, etc.)

PANM360: And you, Jasmine?

Jasmine Xu: My parents asked me, when I was still very young, what kind of instrument I would like to learn. I chose the piano. I played it for a long time, up to level 9 at the Vincent-d’Indy school. But in parallel, I still learned the erhu with my mother, then the guitar, singing, etc.

PANM360: And you ended up doing a duet…

Jasmine Xu: Yes, the piano and the erhu complement each other very well. The erhu is very versatile, there are no frets, which allows for very sinuous, very melodic lines, while the piano is very complete, like an orchestra in itself.

PANM360: Have you been playing together like this for a long time?

Qi Shen: Yes, for a very long time, of course. But in private. Our public performances are more recent. I must say that, in 2010, Cirque du Soleil contacted me to perform in their shows in Macau. The erhu played a very important role in the live music. But I had to go live there for long periods. Jasmine was still very young. So I went there, and Jasmine stayed here of course, this is her home. She stayed with her father. For a long time, we saw each other a few times a year. It was a very difficult decision for me. Very difficult. But it was also an exceptional opportunity professionally, with very good conditions. It lasted 12 years. After Covid, I came back. I have to rebuild my career here, but with Jasmine now, it makes me very happy.

PANM360: Jasmine?

Jasmine Xu: I am very happy to play with mom too. For my part, I hadn’t really considered dedicating all my time to music. After my piano studies, I studied nutrition. I completed my course, so I am a nutritionist, a profession I practiced for about two years. But I missed music. Finally, not so long ago, I decided to dive in. So I do this duet with my mother, I also sing, I post videos on social media where I play the erhu, etc.

PANM360: What will you be playing at the concert on Sunday, August 18th at Orientalys?

Qi Shen: A bit of everything, traditional Chinese tunes, some original compositions…

Jasmine Xu: ... popular tunes from China (M-Pop, the equivalent of Korean K-Pop) and also arrangements of well-known songs here.

PANM360: Thank you very much for speaking with us. Good luck.

Qi Shen: Thank you!

Jasmine Xu: Thank you!

Latest 360 Content

Orientalys 2026 | Qi Shen and Jasmine Xu, an erhu/piano duo, mother/daughter, to discover

Orientalys 2026 | Qi Shen and Jasmine Xu, an erhu/piano duo, mother/daughter, to discover

Présence autochtone | Leonard Sumner, another perspective for songwriting

Présence autochtone | Leonard Sumner, another perspective for songwriting

Orientalys 2026 | Alex Iskandar: Ambassador of Central Asian Traditions in Montreal

Orientalys 2026 | Alex Iskandar: Ambassador of Central Asian Traditions in Montreal

Présence Autochtone I Rei Speaks About His ‘Haka’ Rap

Présence Autochtone I Rei Speaks About His ‘Haka’ Rap

Domesicle Series: The Story of Sister Zo

Domesicle Series: The Story of Sister Zo

Airborne strings in the Parks of Montreal with Andrei Feher and the Orchestre classique de Montréal

Airborne strings in the Parks of Montreal with Andrei Feher and the Orchestre classique de Montréal

Présence autochtone 2026 | We talk about the Programming with the Director

Présence autochtone 2026 | We talk about the Programming with the Director

Concerts aux Îles du Bic | Samaqani Cocahq Gives Voice to Wolastoq Traditions

Concerts aux Îles du Bic | Samaqani Cocahq Gives Voice to Wolastoq Traditions

Concerts aux Îles du Bic | Pierre-Luc Lecours and the Ensemble Modulaire: Between Sound, Image, and the Moment

Concerts aux Îles du Bic | Pierre-Luc Lecours and the Ensemble Modulaire: Between Sound, Image, and the Moment

Concerts aux Îles du Bic | Andrea Stewart: “We’re always creating”

Concerts aux Îles du Bic | Andrea Stewart: “We’re always creating”

Lanaudière 2026 | Saskia Giorgini : The Italian Piano

Lanaudière 2026 | Saskia Giorgini : The Italian Piano

Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It

Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It

Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve

Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve

Nuits d’Afrique 2026 | Forro das Comadres: the Women’s Forro

Nuits d’Afrique 2026 | Forro das Comadres: the Women’s Forro

Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal

Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal

Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra

Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra

Nuits d’Afrique 2026 | Somos Más, A Feminine and Plural Harmonies

Nuits d’Afrique 2026 | Somos Más, A Feminine and Plural Harmonies

Nuits d’Afrique 2026 | The people of Guinea, Represented by their State, Pay Tribute to the “Baobab of the Night”

Nuits d’Afrique 2026 | The people of Guinea, Represented by their State, Pay Tribute to the “Baobab of the Night”

Soul of Zoo Unveils “Connection,” The Result of Collaborations From Here and Abroad

Soul of Zoo Unveils “Connection,” The Result of Collaborations From Here and Abroad

FIJM 2026 | A Love Supreme played straightforward by Isaiah Collier’s Quartet

FIJM 2026 | A Love Supreme played straightforward by Isaiah Collier’s Quartet

FIJM 2026 | Day 10 | July 4 | Modibo Keita’s Picks

FIJM 2026 | Day 10 | July 4 | Modibo Keita’s Picks

FIJM 2026 | Aretha Tillotson Pays Tribute to Western Canada

FIJM 2026 | Aretha Tillotson Pays Tribute to Western Canada

FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!

FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!

FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival

FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers