Seven years have elapsed since the release of Maladie d’amour, one of the best keb franco albums produced in the previous decade. Imagined, thought and felt by Jimmy Hunt in his Gaspesian exile, Le silence is a production of its moment: 10 songs, 25 minutes, generally very short texts. That’s all there is to it. The author, composer and singer chooses to express himself here in a kebamericana vernacular, both elegant and minimalist. Country-folk harmonies strummed with acoustic guitars, pedal steel, harmonica, soft drums. Some psych and prog emanations happily mix the cards of these miniatures. Jimmy Hunt’s voluntary isolation has surely calmed his spirits, one feels here the slower rhythm, the connection with nature and the reflections aroused through these ethereal atmospheres. The words put forward here scatter booze-fueled uncertainties, ironically embody a seemingly invincible being, evoke an erotic woodland scene, tell the story of the death of a beloved father, fantasize about the blank slate of a life, express a cruel need for the love of others, identify microscopic “old friends” lodged deep within oneself and who make one question one’s identity, admire the music of a waterfall, associate distance and decay, observe the winter silence. Jimmy Hunt has obviously learned to tame this silence.
Latest 360 Content
Concert review Électro
My Fierce Ignorant Step at Danse Danse: the seduction of emptiness
By Frédéric Cardin
Interview Jazz
Can You Hear the Birds ? The art of the trio according to Gentiane MG
By Alain Brunet
Album review Electronic/Classical/classique/Musiques du Monde 2026
Kaoru Watanabe – The Arch
By Frédéric Cardin
Concert review Classical/classique
Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”
By Frédéric Cardin
Album review Classical/classique 2026
Susan Fancher/Ināra Zandmane – Strange Lights
By Frédéric Cardin
Interview Classical/classique
Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music
By Frédéric Cardin
Concert review classique/Classical
SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music
By Pietro Freiburger
Interview
Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic
By Michel Rondeau
Interview Classical/classique/Electronic
Akousma | Les Artefacts sonores de Roxanne Turcotte
By Alexandre Villemaire
Interview Electronic/expérimental / contemporain
Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge
By Michel Rondeau
Interview Electronic/expérimental / contemporain
Akousma | Exzald S, la violence du calme
By Alain Brunet
Concert review Caribbean
Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal
By Juliana Cortes
Interview arts numériques/Classical/classique/Électronique
Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion
By Alexandre Villemaire
Interview arts numériques/Classical/classique/Électronique
Akousma | Alex Brisson et l’exploration musicale du feedback
By Alexandre Villemaire
Concert review Classical/classique























