Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Interview by Frédéric Cardin
Genres and styles : période romantique

Additional Information

There are those encounters whose emotional strength one does not suspect will emerge. My conversation with soprano Karina Gauvin in anticipation of her recital on June 3, 2026, at the Classica Festival is one of those. The Quebec artist will perform Richard Strauss’s Four Last Songs for the first time in her life, a poignant work with exquisite emotional subtlety. It is in a version with a chamber orchestra, arranged by Olivier Larue, that the masterpiece will be performed. Also on the program, a chamber version of Mahler’s First Symphony, “Titan,” an arrangement by Klaus Simon. Listen with me as Karina shares very intimate and deeply touching reflections on her personal relationship with this end-of-life music (Strauss wrote it in his last year before dying).

INFO AND TICKETS FOR THE JUNE 3 CONCERT

Latest 360 Content

Mundial MTL 2026 | Melafrique: Africa for Everyone and by Everyone

Mundial MTL 2026 | Melafrique: Africa for Everyone and by Everyone

Mundial MTL 2026 | Orbital Ensemble : steeped into vintage, but with an ear in the present

Mundial MTL 2026 | Orbital Ensemble : steeped into vintage, but with an ear in the present

FMA 2026 | Al Qahwa: The Coffee of Cultures, The Rhythm of Encounters

FMA 2026 | Al Qahwa: The Coffee of Cultures, The Rhythm of Encounters

Mundial MTL 2026 | Where We Come From, Who We Become: An Interview with Tara Moneka

Mundial MTL 2026 | Where We Come From, Who We Become: An Interview with Tara Moneka

Caprice Ensemble at the 9th Floor : Hallelujah or the Jewish Colours of Baroque Music

Caprice Ensemble at the 9th Floor : Hallelujah or the Jewish Colours of Baroque Music

FMA 2026 | Le Livre des Reines : Dialogues between Inspiring Women from Europe and Persia, from Yesterday till Today

FMA 2026 | Le Livre des Reines : Dialogues between Inspiring Women from Europe and Persia, from Yesterday till Today

Salle Bourgie | Mike Bruzzese, inspired by his grandfather’s poetry

Salle Bourgie | Mike Bruzzese, inspired by his grandfather’s poetry

Salle Bourgie | Jordan Bak : ”I wish to be excited on stage and with the audience”

Salle Bourgie | Jordan Bak : ”I wish to be excited on stage and with the audience”

FMA 2026 | Walaa Al Jundi’s Beautiful Voice, Craft And Refinement… Despite Deep Suffering In Her Region

FMA 2026 | Walaa Al Jundi’s Beautiful Voice, Craft And Refinement… Despite Deep Suffering In Her Region

Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom

Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom

Voces Boreales | Tempus Fugit, “to experience time differently”

Voces Boreales | Tempus Fugit, “to experience time differently”

Trio Helios and the aesthetics of ugliness

Trio Helios and the aesthetics of ugliness

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers