Active as a DJ since the ’90s, founder of the labels BPitch Control (Modeselektor, Sascha Funk, early Paul Kalkbrenner) and UFO Inc, godmother of a techno festival in the north of France, seasoned producer… you guessed it, Germany’s Ellen Allien is a matron. In spite of her success, she retains her authenticity, and you can hear it musically. The 50-year-old is capable of electrifying crowds at Igloofest and Piknic Électronik as much as she was able to move the floor at La fin du vinyle, a record store on Saint-Laurent Blvd., during a Vinylism tour a few years ago. Accustomed to the album format – she has eight on her counter, which is quite rare in the techno world – the producer has mastered the development of narrativity. Her voice, on the first two tracks “Hello Planet Earth” and “In Music I Trust” (electronic vocals) accompanies our introduction: experimental, it will be. “True Romantics” unveils a kick to wake the dead. If the first third of “Traum” looks towards psy (it gallops), its evolution leads us towards more ethereal sounds and then back to an acid line, creating a sound universe at the crossroads. The bass line of “Walking in the Dark” takes us back to EBM, Berlin of the 1980s, and D.A.F. Same for the little jewel “Confusion”. In short, Allien reminds us that we miss the dance floor, the darkness, and the smell of sweat terribly. Easily moving from one genre to another, the veteran techno player masters the codes without falling into clichés.
Latest 360 Content
Interview latino/Electronic
FME 2026 | RIZOMAGIC de Bogotá, futurisme tropical et accordage cosmique
By Alain Brunet
Concert review Soul/R&B/Jazz/Rock
FME 2026 I Choses Sauvages: Where the Wild Things Are
By Lyle Hendriks
Concert review expérimental / contemporain/Experimental / Contemporary/Pop
FME 2026 I Camilla Sparksss Brings the Noise
By Stephan Boissonneault
Album review Classical/classique 2026
Jackie Leung – Inside Out : Piano Music by Alvin Singleton
By Frédéric Cardin
Interview Rock/dark-rave
FME 2026: Philippe Larocque’s Top Five Acts To See This Year
By Stephan Boissonneault
Interview Americana/Reggae/Rock
Souk du Sud 2026 | Paul Cargnello: Two Decades of Music and Social Engagement
By Keithy Antoine
Interview Caribbean/Indigenous peoples/Jazz
Souk du Sud 2026 | Nicolas Lossen: Jazz, Memory, and Heritage in Dialogue
By Keithy Antoine
Interview Americana
Souk du Sud 2026 | Emmanuelle Boucher: From “La Voix” to Her Own Path
By Keithy Antoine
Interview
Souk du Sud 2026 | Borduas: From the Stage to Behind the Scenes of Culture
By Keithy Antoine
Album review Classical/classique/Americana/Traditional 2026
Stranger Still – We Might Not Tell Everybody This
By Frédéric Cardin
Interview Africa/latino/Musiques du Monde
Souk du Sud 2026 | A Crossroads of Cultures, According to Patrice Agbokou
By Sandra Gasana
Album review Classical/classique 2026
Cheryl Duvall – Linda Catlin Smith : The Complete Piano Solos (1989-2023), Volume II: The Underfolding & Early Works
By Frédéric Cardin
Concert review dark wave/Electronic/musique de film/musique de jeux vidéo























