NOBRO: Sonic women

Interview by Patrick Baillargeon

With the EP Sick Hustle, NOBRO prove to all who still doubted it that rock with a feminine touch is as devastating as it is unifying. PAN M 360 connected with the band, and presents the PREMIERE of the brand new video for “Don’t Die”, directed by artist Greg Doble.

Genres and styles : Punk Rock

Additional Information

Photo credit: Chris MacArthur

Like everyone else, NOBRO had plans. Plans for concerts with Pussy Riot at the CMW in Toronto, tours and festivals in Quebec and elsewhere… and like everyone else, those plans fell through, for obvious reasons. But there’s one project that hasn’t been cancelled, rather simply postponed for a few weeks, and that’s the release of the 4-track EP Sick Hustle, on the Toronto label Dine Alone, and the accompanying video clip. “The music video is for the song ‘Don’t Die…’ We were supposed to release all this stuff a few weeks ago, but with everything that’s happened, we thought it might not be the best idea to release it too soon,” explains drummer Sarah Dion, interviewed along with keyboard-percussionist Lisandre Bourdages, both of them in quarantine after a trip to Mexico. “We thought maybe the timing wasn’t right. I know it’s a cartoon, there’s nothing creepy or sinister about it, but we thought we’d wait a bit until the panic over the pandemic thing died down and our song wasn’t misinterpreted.”

Formed about six years ago by the fiery bassist and singer Kathryn McCaughey, NOBRO has seen many musicians pass through its ranks before arriving at the current configuration – a mutation that has transformed the sound and energy of the Montreal band. Today, the four musicians, with Karolane Carbonneau on the six-strings, play a furious mix of heavy rock – and a bit of pop – that would make L7 blush.

“When Kathryn started the band, her idea was to bring together the flashiest and most show-off musicians, put them on a stage and make fast and intense songs with them,” says the metronomic Sarah Dion. “It was really a statement, and the band’s name leaves no room for innuendo. No bro. A first EP was released in 2015, but only Kathryn from the current band was on it. Then Lisandre, Karolane and I all arrived at different times. I’d say it’s been about a year and a half since the four of us have been playing together, and this is our first record. It’s quite different from what the old band used to do. It’s like a new start.”

“It was a lot more punk before, more knockabout,” adds Lisandre Bourdages, who is also in the Shirley line-up with Sarah Dion, and Comment Debord with Karolane Carbonneau. “Now, I’d say that we’re putting more time and work into the search for tonalities, into the composition of the songs. It’s more complex and we have more confidence. The sound is much richer, less punk and more ’70s rock, stoner and even pop. We follow a lot of Kathryn’s influences – T-Rex, Betty Davis, Black Sabbath, MC5… As for me, I studied Latin percussion, Sarah had a reggae band, Karolane was in a free-jazz combo… So when you put it all together, you make sure that all these influences are coherent.” 

F-Rock

Calling themselves a feminist rock band, the NOBRO girls point out, however, that this stance is not really reflected in the quartet’s lyrics. “I see myself more as a musician in a rock band,” Dion admits. “But the basic idea, the statement in fact, is that NOBRO is a group of girls who rock. To show that four women together are capable of mastering their instruments superbly, and tearing it up. But as the years go by, we’re finding that it’s becoming less and less rare to see bands made up entirely of women. The day it’s the norm, then I’ll say we’ve won our case.”

Latest 360 Content

Esteban la Rotta: Back to the Ancient Origins of the Lute

Esteban la Rotta: Back to the Ancient Origins of the Lute

We’re talking with John Sweenie about Mysticism for Intellectuals, an album that will make the “Best of” list for 2026.

We’re talking with John Sweenie about Mysticism for Intellectuals, an album that will make the “Best of” list for 2026.

MTL Tiga brings HotLife to the dance floor

MTL Tiga brings HotLife to the dance floor

Beethoven and Brahms: First and Last Flames of Musical Passion on the 9th Floor

Beethoven and Brahms: First and Last Flames of Musical Passion on the 9th Floor

Jacques Kuba Séguin and the Polish Connection on tour in Canada

Jacques Kuba Séguin and the Polish Connection on tour in Canada

Gentiane MG: in sync with the world… thanks to the birds

Gentiane MG: in sync with the world… thanks to the birds

David Cairol and Taïro Unveil “Ticket pour Mars”, A Socially Conscious Reggae Single

David Cairol and Taïro Unveil “Ticket pour Mars”, A Socially Conscious Reggae Single

K.Maro Returns, Place de Loréane: Synth-Pop Songs of a Concerned Adult

K.Maro Returns, Place de Loréane: Synth-Pop Songs of a Concerned Adult

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Sunglaciers et leur nouvel album : Spiritual Content

Sunglaciers et leur nouvel album : Spiritual Content

Cameron Carpenter at the Palais Montcalm | Le Fantôme de l’opéra: sweat, chills… and the organ!

Cameron Carpenter at the Palais Montcalm | Le Fantôme de l’opéra: sweat, chills… and the organ!

UdeM | The Big Band Welcomes Renowned Cuban-Canadian Pianist and Arranger Hilario Durán

UdeM | The Big Band Welcomes Renowned Cuban-Canadian Pianist and Arranger Hilario Durán

Kimi Djabaté: like Mozart, a life dedicated to music

Kimi Djabaté: like Mozart, a life dedicated to music

Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”

Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”

Codes d’Accès | Battements: Emmanuel Jacob Lacopo presents “Home” and “I Never Want To See That Day”

Codes d’Accès | Battements: Emmanuel Jacob Lacopo presents “Home” and “I Never Want To See That Day”

Codes d’Accès | Battements : Alexandre Amat presents “Tracé, Fossiles”

Codes d’Accès | Battements : Alexandre Amat presents “Tracé, Fossiles”

Amiri, Pagé, Mativetsky: santour, harp, and tablas together

Amiri, Pagé, Mativetsky: santour, harp, and tablas together

SMCQ | Classics and Creation, A Conversation Across Generations

SMCQ | Classics and Creation, A Conversation Across Generations

SAT | Between Dreams: How Did You Sleep Last Night?

SAT | Between Dreams: How Did You Sleep Last Night?

Trio Garibaldi: The Album In Faded Sepia | Viola, Piano, and Clarinet in Service of New Creation

Trio Garibaldi: The Album In Faded Sepia | Viola, Piano, and Clarinet in Service of New Creation

Remi Bolduc unveils his Groove Quintet

Remi Bolduc unveils his Groove Quintet

5ilience | Devinim, When Sounds Move Through The Reeds

5ilience | Devinim, When Sounds Move Through The Reeds

Caribbean Love: Richy Jay, Between Heritage and Tropical Rhythms

Caribbean Love: Richy Jay, Between Heritage and Tropical Rhythms

Caprice au 9e | Telemann and The Traveling Musicians of the Baroque Era

Caprice au 9e | Telemann and The Traveling Musicians of the Baroque Era

Subscribe to our newsletter