L’Orchestre de l’Agora, Natasha Kanapé Fontaine, Claudie Bertounesque, Richard Strauss, Élizabeth St-Gelais | Nicolas Ellis explains the Gala de la Terre

Interview by Alain Brunet
Genres and styles : classique / Contemporary / post-romantique

Additional Information

For the third time in six years, the previous of which was celebrated with an Opus Prize, the Orchestre de l’Agora and its conductor Nicolas will present the Gala de la Terre. The event takes place on June 12, 8pm, at the Maison symphonique. This time, the program is built around Richard Strauss’s Alpine Symphony and also the premiere of a composition both orchestral and electroacoustic, composed by Claudie Bertounesque.

For this creation, the Orchestre de l’Agora will be reinforced by 75 choristers from the Petits Chanteurs du Mont-Royal, an electro-acoustic framework and the songs of belugas collected near Tadoussac using hydrophones from the Group for Research and Education on Marine Mammals (GREMM).The Gala de la Terre is an environmental initiative: it aims to raise public awareness of environmental issues, by supporting the efforts of local organizations dedicated to protecting our planet: GREMM, WWF Canada and Sierra Club Canada.

Plus de 100 musiciens se trouveront scène pour le pat principal de la soirée, soit la Symphonie alpestre de Strauss, choisie pour ses évocations de la splendeur des Alpes, tout en abordant de facto la beauté universelle de nos environnements naturels planétaires et aussi de leur inquiétante fragilité dans le contexte des changements climatiques.

In addition, Innu poet and event ambassador Natasha Kanapé Fontaine will declaim her own writings, created especially for the Gala de la Terre. Last but not least, Innu soprano Elisabeth St-Gelais, recently named Révélation Classique Radio-Canada and winner of the prestigious Prix d’Europe 2023, will perform Richard Wagner’s Wesendonck Lieder .

Contacted a few days ago on a train bound for Quebec City, Nicolas Ellis tells Alain Brunet how excited he is to be directing the next Gala de la Terre.

INFOS ET BILLETS ICI

.

Latest 360 Content

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours

Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours

Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle

Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle

Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying

Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying

Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis

Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis

Krystina Marcoux : ‘’I want to put the marimba on a pedestal’’

Krystina Marcoux : ‘’I want to put the marimba on a pedestal’’

FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa

FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa

George Lewis: Scores of Freedom

George Lewis: Scores of Freedom

Flux 2026 | 2nd week according to Peter Burton

Flux 2026 | 2nd week according to Peter Burton

QMP 2026 | Hugo Blouin, spoken words and played words

QMP 2026 | Hugo Blouin, spoken words and played words

VoixMonde on the 9th: meeting with the traditions of Rwanda with Deo Munyakazi

VoixMonde on the 9th: meeting with the traditions of Rwanda with Deo Munyakazi

Flux 2026 | Bob Stewart, the most senior jazz tuba player performing this week in MTL

Flux 2026 | Bob Stewart, the most senior jazz tuba player performing this week in MTL

Flux 2026 | Liberté-Anne presents Frotae vol. 2

Flux 2026 | Liberté-Anne presents Frotae vol. 2

Flux 2026 | No Hay Banda invites Erika Angell and pays tribute to Suoni per il popolo

Flux 2026 | No Hay Banda invites Erika Angell and pays tribute to Suoni per il popolo

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers