Experimental / Contemporary Noise / Drone / Free Improvisation / Invented Instrumental / Melodic Noise / Experimental Dream Pop / Experimental
Concert review Experimental / Contemporary/expérimental / contemporain
MUTEK 2024 | Lamin Fofana (Live set) and JS Baillat (VJ) Launch the Nocturne Series
By Salima Bouaraour
Concert review Rock/Experimental / Contemporary/expérimental / contemporain/punk hardcore
Heretics in a Church Basement at the Truck Violence Album Launch
By Lyle Hendriks
Concert review Electronic/Experimental / Contemporary/expérimental / contemporain
Virée classique de l’OSM | A Transcendent End to The Evening
By Alexandre Villemaire
Album review Rock/expérimental / contemporain/Instrumental/métal progressif 2024
Hybreed Chaos – Subliminal Abyssal Carnage
By Laurent Bellemare
Interview Rock/Folk/Americana/Experimental / Contemporary/expérimental / contemporain
Truck Violence Burns It Down and Starts Again
By Lyle Hendriks
Album review Experimental / Contemporary/expérimental / contemporain/South-East Asian 2023
Lynn Nandar Htoo – Jamadevi
By Laurent Bellemare
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Classical/classique 2024
Alexandre Tessier – Temps
By Laurent Bellemare
Album review Africa/Experimental / Contemporary/expérimental / contemporain/Hip Hop 2023
Aunty Rayzor – Viral Wreckage
By Patrice Caron
Interview expérimental / contemporain/Rock/Psychedelia
JAKŌ and his experimental soundscapes at Suoni
By Stephan Boissonneault
Interview expérimental / contemporain
Ishi Tishi and their Evening With All The Animals at Suoni
By Stephan Boissonneault
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2024
The Nausea – Requiem
By Frédéric Cardin
Interview Jazz/expérimental / contemporain/Experimental / Contemporary/Pop/Classical/classique
Bell Orchestre becomes immersive and interactive, House Music becomes Sound House at SAT
By Alain Brunet
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Traditional 2024
Ana Lua Caiano – Vou Ficar Neste Quadrado
By Patrice Caron
Interview Folk/Americana/Rock/Electronic/expérimental / contemporain
Phi Centre | Kee Avil plays the material of SPINE
By Alain Brunet
What to watch expérimental / contemporain/Ambient/Electronic/Rock
The Fleeting Light of Love and Grief – Terminal 9
By Louise Jaunet
What to watch Rock/Experimental / Contemporary/expérimental / contemporain/punk hardcore
Truck Violence – Undressed you layn’t before
By Stephan Boissonneault
Concert review Pop/Electronic/expérimental / contemporain/Middle Eastern
BORN TO LEAVE (REVISITED) at Centre Phi: Sophoclean electronic tragedy with a Lebanese flavour
By Salima Bouaraour
Album review Pop/expérimental / contemporain/Experimental / Contemporary/Folk/Americana 2024
N NAO – Miroir
By Louise Jaunet
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
By Louise Jaunet
Concert review expérimental / contemporain/Rock/Jazz/Experimental / Contemporary
Montreal Anti Jazz Police Festival – Day 3
By Frédéric Cardin
Concert review Folk/Americana/Electronic/Classical/classique/expérimental / contemporain/Jazz/indie
Montreal Anti-Jazz Police Festival at URSA – Day 1
By Frédéric Cardin
Album review Pop/Rock/Experimental / Contemporary/expérimental / contemporain 2024
PREGOBLIN – PREGOBLIN II
By Stephan Boissonneault
Album review Experimental / Contemporary/expérimental / contemporain/Hip Hop 2024