Dominique Ané’s tenth album was conceived with a rock ban, a piano and a wind quintet. It bears all the hallmarks of an exceptional work: form, content, emotional charge and technical skill, in service of a quest for beauty that’s celestial, bucolic, maritime, pastoral and even wild. This appreciation of the bonds between living beings and their habitat is set against the backdrop of a world in marked decline, where “strange animals throw themselves over cliffs”, where “the tides have the flavour of metal”, where we observe from afar a convoy of fugitives who “dream of fruits and berries.”
Latest 360 Content
Interview Pop/expérimental / contemporain/Rock
Critique Love… Critical Minerals in Montreal’s Underground
By Marilyn Bouchard
Album review Jazz/expérimental / contemporain/Rock 2025
The Mars Volta – Lucro sucio; Los ojos del vacio
By Stephan Boissonneault
Interview chanson keb franco/Pop
Before Sitting Down Alone at The Piano, Ingrid St-Pierre Responds
By Marilyn Bouchard
Interview Jazz/Classical/classique
Lionel Belmondo , Yannick Rieu and l’OSL: Symphonic Jazz Around Brahms, Ravel and Boulanger
By Alain Brunet
Interview chanson keb franco/Pop
Stéphanie Boulay: Healing Album, Reconstruction Album
By Marilyn Bouchard
Interview Electronic/Experimental / Contemporary/expérimental / contemporain
Joni Void wants you to ‘watch experimental films in the club’ or at La Lumière
By Stephan Boissonneault
Interview chanson keb franco/Americana/Folk/Singer-Songwriter
Laurence Hélie Has Found Her Name
By Simon Gervais
Interview classique/Classical