Dominique Ané’s tenth album was conceived with a rock ban, a piano and a wind quintet. It bears all the hallmarks of an exceptional work: form, content, emotional charge and technical skill, in service of a quest for beauty that’s celestial, bucolic, maritime, pastoral and even wild. This appreciation of the bonds between living beings and their habitat is set against the backdrop of a world in marked decline, where “strange animals throw themselves over cliffs”, where “the tides have the flavour of metal”, where we observe from afar a convoy of fugitives who “dream of fruits and berries.”
Latest 360 Content
Interview expérimental / contemporain/Experimental / Contemporary/Jazz/Soul/R&B/Psychedelia
FIRE! Orchestra at FIMAV: Power Trio Meets Canadian Community of Avant-Garde Players
By Alain Brunet
Album review Hip Hop 2025
Wu-Tang Clan & Mathematics – Black Samson, the Bastard Swordsman.
By Stephan Boissonneault
Album review Classical/classique 2025
Dalit Hadass Warshaw, Boston Modern Orchestra Project / Gil Rose – Sirens
By Réjean Beaucage
Album review musique de film 2025
Howard Shore/Orchestre Philharmonique de Radio France – Shore : Anthology
By Frédéric Cardin
Album review Classical/classique 2025
Quatuor Diotima – Boulez : Livre pour quatuor
By Frédéric Cardin
Album review expérimental / contemporain/Experimental / Contemporary/prog 2025
stef.in – Icterus II
By Frédéric Cardin
Album review Classical/classique 2025
Jack Van Zandt – A Chaos of Light and Motion
By Frédéric Cardin
Album review Electronic/Pop/dream pop 2025
Tommy Crane – Reality Curated: Live at Ursa
By Frédéric Cardin
Album review expérimental / contemporain 2025
No Hay Banda – Steven Kazuo Takasugi : Il Teatro Rosso
By Frédéric Cardin
Album review Classical/classique 2025