Mixing the dark moods of Joy Division and the more ragged sound of Wire, the post-punk Savages project was born from the desire to create concerts that fully engage audiences desperate to escape the hectic atmosphere of society. The guitar alternates between menacing, screaming echoes and powerful adrenaline rushes, without stifling Jehnny Beth’s clear, direct voice, supported by tumultuous drums and intrepid bass. The four women play the game full-contact, without restraint, but clearly with total control, something even more striking in concert.
Latest 360 Content
Interview Classical/classique
Festival de Lanaudière | Leonardo Garcia Alarcon/Monteverdi’s Coronation of Popea: being marketwise
By Frédéric Cardin
Concert review Folk/Americana/Jazz/Soul/R&B
FIJM | Nai Palm? Creature of Exception! Hawa B? Future Star!
By Alain Brunet
Concert review classique/Jazz/Traditional
FIJM 2025 | Symphonic Avishai Cohen: Bewitching magic
By Frédéric Cardin
Concert review Jazz
FIJM | Jeff Goldblum: Storyteller, Comedian and Pianist, 3 in 1
By Sandra Gasana
Concert review
FIJM I Still Taking Us There, Mavis Staples Electrifies Montreal JazzFest
By Stephan Boissonneault
Album review Rock/expérimental / contemporain/Pop 2024
FIJM | Orchestre Tout Puissant Marcel Duchamp – Ventre Unique
By Stephan Boissonneault
Album review Blues/Americana/Sacred Music/Soul/R&B 2024
Fantastic Negrito – Son of A Broken Man
By Stephan Boissonneault
Interview latino/Rock/Soul/R&B/Psychedelia/psychédélique
Cumbia, Chaos, and Resistance: Empanadas Illegales Bring the Heat to Montreal Jazz Fest
By Stephan Boissonneault
Concert review Americana/Brazilian/Jazz
FIJM | Dianne Reeves and Romero Lubambo: An Intimate Duo of Virtuosos
By Michel Labrecque
Concert review Jazz
FIJM | Samara Joy: Pushing Classic Vocal Jazz Repertoire to its Limits
By Harry Skinner
Concert review expérimental / contemporain