Mixing the dark moods of Joy Division and the more ragged sound of Wire, the post-punk Savages project was born from the desire to create concerts that fully engage audiences desperate to escape the hectic atmosphere of society. The guitar alternates between menacing, screaming echoes and powerful adrenaline rushes, without stifling Jehnny Beth’s clear, direct voice, supported by tumultuous drums and intrepid bass. The four women play the game full-contact, without restraint, but clearly with total control, something even more striking in concert.
Latest 360 Content
Album review classique/Classical 2024
Orchestre FILMharmonique, Francis Choinière/Artistes variés – François Dompierre : Requiem
By Frédéric Cardin
Album review Folk/Americana/expérimental / contemporain/Experimental / Contemporary/Classical/classique 2024
EZRA – Earth to EZRA
By Frédéric Cardin
Album review Classical/classique 2024
Arion Orchestre Baroque, Mathieu Lussier/Mélisande McNabney/Magali Simard-Galdès/Nicholas Scott – Rigel : Le souffle de la Révolution
By Frédéric Cardin
Concert review Brazilian/Jazz
Brazilian Days | Bianca Rocha: A Lot of Calor In The Cold!
By Michel Labrecque
Concert review Brazilian/Jazz