Montrealer of Congolese origin Pierre Kwenders fits firmly into the international African renaissance of the digital age which is building momentum both on his continent of origin and in the urban areas of its diaspora. Conceived in Seattle with the concert of Baba Maraire and Ishmael Butler (from the excellent hip hop group Shabazz Palaces), this multilingual recording (Lingala, French, English, Shona) is carried by composite materials (hip hop, soul/R&B, Congolese rumba, Afro-electro, Western avant-pop) and offers a sensual, visionary and appealing repertoire, in line with the quality of its raw elements.
Latest 360 Content
Concert review Pop/Electronic
OSHEAGA 2026 | Lorde Closes Osheaga Wired to Her Own Heartbeat
By Stephan Boissonneault
Concert review Hip Hop
OSHEAGA 2026 I Clipse Drip with Swag on the Mountain
By Stephan Boissonneault
Concert review Rock/Pop
OSHEAGA 2026 I Not For Radio Reincarnates on the Forest
By Stephan Boissonneault
Concert review Hip Hop
OSHEAGA 2026 I Little Simz is a Laid-back Class in Phenomenal Energy
By Marc-Antoine Bernier
Album review Électro/expérimental / contemporain 2026
Visible Cloaks – Paradessence
By Frédéric Cardin
Interview classique
Airborne strings in the Parks of Montreal with Andrei Feher and the Orchestre classique de Montréal
By Frédéric Cardin
Concert review Rock/Pop/Soul/R&B/Jazz
OSHEAGA 2026 | Blood Orange Pokes A Hole in the Clouds
By Stephan Boissonneault
Interview Indigenous peoples
Présence autochtone 2026 | We talk about the Programming with the Director
By Frédéric Cardin
Interview
Concerts aux Îles du Bic | Samaqani Cocahq Gives Voice to Wolastoq Traditions
By Jeremy Fortin
Interview Classical/classique/Electronic
Concerts aux Îles du Bic | Pierre-Luc Lecours and the Ensemble Modulaire: Between Sound, Image, and the Moment
By Chloé Rouffignac