Experimental / Hip Hop

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

by Jake Friesen

A crowd congregates around the Rouyn-Noranda automotive repair shop; I am a completely unsuspecting bystander to what I’m about to witness. haha Laughing materializes, anointed in a holy blue glow and immediately gets to work with a relentlessly energetic set. 

Sporting their signature bespeckled boxing boots, Aby Oviedo (aka BB BASCO) is a fucking force. Seamlessly transitioning between drums, saxophone, rapping, and metamorphosing into a slug. Their intense deadpan affect is balanced perfectly by co-rager-in-chief Jay Dilick. Full of conviction, Dilick’s vocal delivery is a conduit to feelings I didn’t know I had. The crowd thaws and surrenders to haha Laughing’s undeniably innovative sound. Their intoxicating sonic universe incorporates a lush mix of samples, absurd, haunting lyrics, catchy beats, live instrumentation and furious vocal delivery. The duo draws the attention of a few dudes rolling hard, who take the opportunity to join the action in front of them. haha Laughing takes it in stride, which only amplifies their audacious on-stage fuckery.

The rambunctious pair leave it all out on the court in their first FME set. Their official FME set feels like a victory lap the following night. The late-night audience is primed for these avant-garde dirtbags to tear it up. Tracks “ROACHEZ AND MOSQUITOZ” and “PULLED APART BY HORSES’”inspire joyously violent thrashing in the pit. Their irreverent sound is punctuated by gut-punch vulnerability on “LIL RALPHIE” and “LADYBUG NECKLACE.”  They’re in the pocket as they transition into an impassioned rendition of “Boom Boom Pow” by the Black Eyed Peas. Dilick cascades in and out of the crowd without missing a beat while Oviedo makes no bones about busting it down between spitting bars and ripping the sax. As I proceed to lose my marbles in the pit completely, the trust between Oviedo and Dilick is palpable as they take turns chancing it all in front of the sweaty crowd. On the bleeding edge of genre and performance, haha Laughing is a visceral monument to the beauty of risk-taking and being fucking loud.

Latest 360 Content

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Gilla Band – Pugnello

Gilla Band – Pugnello

David Bowie – The Shel Talmy Recordings

David Bowie – The Shel Talmy Recordings

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Arion: Cinderella has fun and unleashes her magic

Arion: Cinderella has fun and unleashes her magic

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Azrieli Prize 2026: The Four Pillars of the Temple

Azrieli Prize 2026: The Four Pillars of the Temple

Fat Dog – Cancel Me (I’m Tired)

Fat Dog – Cancel Me (I’m Tired)

Protomartyr – Hotel Usona

Protomartyr – Hotel Usona

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Girl Ultra – RRRomeo

Girl Ultra – RRRomeo

Cameron Winter – Live at Carnegie Hall

Cameron Winter – Live at Carnegie Hall

Eveybody’s Friends With Broken Social Scene

Eveybody’s Friends With Broken Social Scene

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers