Avant-Pop
Concert review Pop/Électro/Electronic/Experimental / Contemporary/expérimental / contemporain
Erika Angell: Everybody, in trance!
By Frédéric Cardin
Album review Pop/Jazz/psychédélique 2023
PAN M 360 / TOP 100 : Tristan Leslay – Nobody’s Might Ship
By Varun Swarup
Album review Pop/Jazz/Brazilian/prog/psychédélique 2023
PAN M 360 / TOP 100 : Pedro Martins – Rádio Mistério
By Varun Swarup
Album review Pop/Jazz/Soul/R&B 2023
PAN M 360 / TOP 100 : Corinne Bailey Rae – Black Rainbows
By Varun Swarup
Album review Pop 2023
PAN M 360 / TOP 100 : Caroline Polachek – Desire, I Want To Turn Into You
By Théo Reinhardt
Album review Electronic/Pop/Hip Hop 2023
PAN M 360 / TOP 100 : John Cale – Mercy
By Stephan Boissonneault
Album review Pop/Rock/Jazz/Electronic/psychédélique 2023
PAN M 360 / TOP 100 : Ivan The Tolerable – Under Magnetic Mountain
By Louise Jaunet
Album review Pop/chanson keb franco/expérimental / contemporain 2023
PAN M 360 / TOP 100 : N NAO – L’eau et les rêves
By Louise Jaunet
What to watch Pop/expérimental / contemporain
Night Lunch – God Bless The One I Love
By Stephan Boissonneault
Interview expérimental / contemporain/Pop
MUTEK 2023 | Hatis Noit Brings Vocal Symbolism and Storyline
By Stephan Boissonneault
Album review Pop/classique/Electronic/Soul/R&B/Rock 2022
Concert curators: their best albums of 2022
By Rédaction PAN M 360
Interview Pop/Electronic/expérimental / contemporain/Experimental / Contemporary/Rock
The silence, it screams and it laughs, a conversation with Montreal’s Kee Avil
By Stephan Boissonneault
Interview expérimental / contemporain/Pop/Rock/Jazz/Electronic
Thus Owls talks about the 5th album, Who Would Hold You If The Sky Betrayed Us
By Alain Brunet
Interview Rock/Pop
Gus Englehorn on exercising his imagination, surreal art influences, and Alaskan mud wrestling
By Stephan Boissonneault
Album review Electronic/Pop/Experimental / Contemporary/expérimental / contemporain 2022