Bahraini-British trumpeter and band leader Yazz Ahmed came into her own with this consequential 2017 effort (The Wire’s Jazz Album of the Year, among other accolades), introspective in its theme yet marvelously inquisitive and gregarious in practice. Tapping into her Arab roots and art-rock resume (which includes work with Radiohead), Ahmed adds to the vocabulary of new British jazz, following her caprices to some wondrous, even hallucinatory places. Mad Hatter and March Hare to her Alice are Lewis Wright on vibes and Shabaka Hutchings on bass clarinet, though Naadia Sherriff’s dauntless Rhodes steals the show on the exquisite “Organ Eternal”. The palpably feminine energy carries over to this year’s Polyhymnia, which builds on a commission for London’s Women of the World Festival — far larger in scale, with two dozen players on board, but frustratingly constrained in comparison.
Latest 360 Content
Concert review expérimental / contemporain/Classical/classique
Suoni 2025 | Bozzini + Sarah Hennies: contrasts in post-minimalism
By Frédéric Cardin
Interview Jazz
Jazz at the Festival International de Jazz de Montréal explained by Modibo Keita
By Alain Brunet
Concert review classique
Montreal Chamber Music Festival | But it was a nice concert…
By Frédéric Cardin
Concert review Classical/classique
Montréal Baroque 2025 | 4 seasons: welcome to the 21st century and the climate crisis, Mr. Vivaldi
By Frédéric Cardin
Concert review Chanson francophone/Pop
Francos | The Candor and Kindness of Aliosha Schneider
By Marilyn Bouchard
Concert review Hip Hop/rap/Hip Hop
Francos | Back in Time With Saïan Supa Celebration
By Sandra Gasana
Interview Classical/classique
Festival d’art vocal de Montréal | What’s On July 2-27 at Salle Claude-Champagne?
By Alain Brunet
Interview Electronic/Moyen-Orient / Levant / Maghreb
Piknik Elektronic | Nadim Maghzal, Laylit Co-Founder : MTL Middle East Arabic Electronic Refinement, Pleasure, Fun!
By Loic Minty
Concert review Electronic/classique/Arabic/expérimental / contemporain/Rock
Suoni | Sanam, Beirut’s Eloquence on The Brink of Danger
By Alain Brunet
Concert review Jazz/Electronic/expérimental / contemporain/Soul/R&B
Suoni | Watch that ends the night records Quinton Barnes + Jason Doell & Naomi McCarroll-Butler + Liam Cole + Alex “Bad Baby” Lukashevsky
By Z Neto Vinheiras
Concert review Electronic/expérimental / contemporain/Musical Theatre
Suoni | My Thursday at the Suoni: Alex Lukashevsky, Cabaret Noir…
By Félicité Couëlle-Brunet
Interview classique/Classical/Eastern European/latino/Traditional/Musique traditionnelle mongole (khöömii)
My musical garage: interview with Ziya Tabassian for the 11th edition of Garage Concerts
By Frédéric Cardin
Concert review expérimental / contemporain
Suoni | Chik White and Ky Brooks raise their voices (but not Jessica Ackerley)
By Frédéric Cardin
Interview Electronic/classique/Rock/expérimental / contemporain/Experimental / Contemporary/Moyen-Orient / Levant / Maghreb