Haitian-born, South Shore Montreal-raised Kaytranada began the decade as a 17-year-old boy making Fruity Loops beats on a laptop in his mom’s basement and DJing around the city. He finishes it as one of the hands-down mostly globally sought-after production collaborators alive. His solitary debut LP stands as a testament to musical evolution, not only in the last 10-year span but from the dawn of contemporary pop. Barely a genre is left unexplored here, and is all tied together by the producer’s signature take on house rhythms and hip hop time codes. When Pharrell himself proclaimed Kaytra a wish-list collaborator, it became undeniably clear that the local boy had made good. Scratch that, he made great.
Latest 360 Content
Album review classique/musique traditionnelle/Classical/trad québécois 2024
Karina Gauvin – Marie Hubert : Fille du Roy
By Frédéric Cardin
Interview Folk/Americana/Rock/hyperpop
P’tit Belliveau Talks About His New Album, Frogs, and Income Tax
By Stephan Boissonneault
Interview Rock/Electronic/Experimental / Contemporary/expérimental / contemporain/Pop
At Annie-Claude Deschênes’ table: between utensils & sound experimentation
By Louise Jaunet
Concert review
Université de Montréal | Jean-François Rivest’s Grandiose Farewell
By Elena Mandolini
Interview classique/Jazz/Classical
OSL | Naomi Woo | Musique du Nouveau Monde
By Alexandre Villemaire
Album review classique/Jazz 2024
Nadia Labrie – Flute Passion – Claude Bolling : Suite for Flute and Jazz Piano Trio
By Frédéric Cardin
Album review Classical/classique 2024
David Jalbert – Prokofiev : Piano Sonatas vol. II
By Frédéric Cardin
Interview Rock/Electronic/Pop/Jazz
Hawa B or not Hawa B ? “sadder but better” EP answers the question !
By Alain Brunet
Concert review classique/Classical/Africa
Abel Selaocoe: the wind that blows away
By Frédéric Cardin
Album review Rock 2024