Noise-Pop

Album review expérimental / contemporain/Rock/Pop 2025

Deerhoof – Noble and Godlike in Ruin

By Stephan Boissonneault

Concert review expérimental / contemporain/Pop/Rock

I can’t stop thinking about the Xiu Xiu show in Montreal

By Vanessa Barron

Album review Pop/Experimental / Contemporary/expérimental / contemporain/Rock 2024

John Cale – POPtical Illusion 

By Stephan Boissonneault

Album review Pop/Rock 2024

Vampire Weekend – Only God Was Above Us

By Stephan Boissonneault

What to watch Rock/Pop

Koalra – The Clouds Still Hang On You

By Stephan Boissonneault

Album review Rock/Electronic/Pop 2023

Yo La Tengo – This Stupid World

By Thomas Moultrie

Album review Pop/expérimental / contemporain 2020

Agenda

By Yohann Goyat

Interview Rock/Pop

Brand new shoes for No Joy

By Patrick Baillargeon

Dossier latino/Electronic/Pop/Rock/expérimental / contemporain/Indigenous peoples/Soul/R&B/Hip Hop/Jazz/Experimental / Contemporary/Singer-Songwriter/South-East Asian

The 15th Polaris Music Prize Unveils its 2020 Long List

By Patrick Baillargeon

Album review Rock/Pop 2020

You Won’t Be Here For Long

By Patrick Baillargeon

Album review Experimental / Contemporary/expérimental / contemporain/Pop/Rock 2020

Agitprop Alternat

By Patrick Baillargeon

Album review Rock/Pop 2020

PITH

By Louise Jaunet

Album review Rock/Pop 2020

What’s Tonight To Eternity

By Patrick Baillargeon

Album review Rock/Pop 2013

Night Time, My Time

By Michel Rondeau

Album review Pop/Electronic 2012

Never

By Patrick Baillargeon