classique Classical / Indian Classical / Turkish Classical / Arabic Classical / Persian Classical / classique persan / Baroque / Choral Music / Classical Singing / Modern Classical / Contemporary / Electroacoustic / Minimalist / Early Music / Neoclassical / Opera / Contemporary Opera / Post-Minimalist / Classical Period / Renaissance / Renaissance music / musique de chambre / post-romantique / musique contemporaine / période romantique / Chamber Music / opérette / Hindustani / Carnatic / ghazal
Interview Moyen-Orient / Levant / Maghreb/classique/Arabic
FMA 2026 | Walaa Al Jundi’s Beautiful Voice, Craft And Refinement… Despite Deep Suffering In Her Region
By Alain Brunet
Concert review expérimental / contemporain/Classical/classique/Experimental / Contemporary
Le Vivier | Unleashing the Squid
By Frédéric Cardin
Interview Americana/Indian Classical/classique
Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom
By Alain Brunet
Interview Classical/classique
Voces Boreales | Tempus Fugit, “to experience time differently”
By Alain Brunet
Concert review Classical/classique
Azrieli Prize: Next stop 2028, with Linda Bouchard, Luis Arias, and Matthew Rosenblum!
By Frédéric Cardin
Concert review classique/Musiques du Monde
FMA 2026 | MaqaMorphose presents Abdelwahab, Romantic Composer
By Frédéric Cardin
Concert review expérimental / contemporain/Classical/classique
Le Vivier: Judith Fliedl’s Super Ultra Violin
By Frédéric Cardin
Interview classique/Musiques du Monde
Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music
By Frédéric Cardin
Concert review Electronic/Classical/classique
Guillaume Côté bewitches the Grands Ballets and the Montreal audience
By Frédéric Cardin
Interview classique/Moyen-Orient / Levant / Maghreb
FMA 2026 | Amin Reihani: Making Music a Language of Peace
By Sandra Gasana
Album review Electronic/Classical/classique/Musiques du Monde 2026
Kaoru Watanabe – The Arch
By Frédéric Cardin
Concert review Classical/classique
Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”
By Frédéric Cardin
Album review Classical/classique 2026
Susan Fancher/Ināra Zandmane – Strange Lights
By Frédéric Cardin
Interview Classical/classique
Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music
By Frédéric Cardin
Concert review classique/Classical
SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music
By Pietro Freiburger
Interview Classical/classique/Electronic
Akousma | Les Artefacts sonores de Roxanne Turcotte
By Alexandre Villemaire
Interview arts numériques/Classical/classique/Électronique
Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion
By Alexandre Villemaire
Interview arts numériques/Classical/classique/Électronique
Akousma | Alex Brisson et l’exploration musicale du feedback
By Alexandre Villemaire
Concert review Classical/classique