Post-Minimalist
Album review Classical/classique 2025
ContaQt/Yaz Lancaster/Evan Ziporyn – ConneQt IV
By Frédéric Cardin
Interview Contemporary/Classical/classique
OSM | Genesis in Yoruba, Philip Glass and Angélique Kidjo style
By Alain Brunet
Interview Jazz/expérimental / contemporain/Classical/classique
Nik Bärtsch’s Ronin and the ideal fusion between futuristic jazz and post-minimalism
By Alain Brunet
Concert review Classical/classique
FLUX | Architek Percussion: Great music, cursed technology!
By Frédéric Cardin
Interview Jazz/expérimental / contemporain/Experimental / Contemporary/Pop/Classical/classique
Bell Orchestre becomes immersive and interactive, House Music becomes Sound House at SAT
By Alain Brunet
Concert review Classical/classique
The tranquil and (too) discreet music of Missy Mazzoli
By Frédéric Cardin
Album review Folk/Americana/expérimental / contemporain/Classical/classique 2024
Allison Burik – Realm
By Frédéric Cardin
Album review Jazz/expérimental / contemporain/Experimental / Contemporary/Classical/classique 2023
Colin Stetson – When We Were That What Wept for the Sea
By Laurent Bellemare
Album review expérimental / contemporain/Classical/classique/Rock 2023
Milanku – À l’aube
By Louise Jaunet
Album review Pop/Electronic/Classical/classique/Progressive Folk 2023
N Nao – L’eau et les rêves
By Alain Brunet
Album review Electronic/Classical/classique 2022
Richard Reed Parry / Susie Ibarra – Heart and Breath: Rhythm and Tone Fields (OFF AIR)
By Alain Brunet
Album review Classical/classique/Electronic/Pop 2022
Florent Ghys – Mosaïques et Ritournelles
By Frédéric Cardin
Album review Classical/classique
Angèle Dubeau & La Pietà: postminimalism, néoclacissism… “Pulsation”
By Alain Brunet
