Classical Baroque / Choral Music / Classical Singing / Modern Classical / Contemporary / Electroacoustic / Minimalist / Early Music / Neoclassical / Opera / Contemporary Opera / Post-Minimalist / Classical Period / Renaissance / Renaissance music / musique de chambre / post-romantique / musique contemporaine / période romantique / Chamber Music / opérette
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain
Flux 2026 | Liberté-Anne presents Frotae vol. 2
By Frédéric Cardin
Interview Pop/Classical/classique/expérimental / contemporain/Experimental / Contemporary
Flux 2026 | No Hay Banda invites Erika Angell and pays tribute to Suoni per il popolo
By Frédéric Cardin
Interview classique
Nicolas Ellis, Elizabeth St-Gelais, and the Orchestre de l’Agora at Bourgie: Under the watchful eye of the Moon, angels pass by
By Frédéric Cardin
Concert review Classical/classique
QMP 2026 | Épatants quatuors de George Lewis par Bozzini
By Frédéric Cardin
Interview classique/Classical
Between Shostakovich and improvisation, Gabriela Montero speaks of freedom
By Alexandre Villemaire
Concert review Rock/Classical/classique/Jazz/free-rock/Experimental / Contemporary/expérimental / contemporain
QMP 2026 | Ackermann and D’Orion : the Complementarity of Extremes
By Frédéric Cardin
Concert review Classical/classique/Traditional
MÁM from Teaċ Daṁsa: The Ireland of All Dreams
By Frédéric Cardin
Album review Rock/Classical/classique/expérimental / contemporain/Experimental / Contemporary 2026
Erick D’Orion – Mes fantômes
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Bozzini Quartet plays the quartets of an icon of avant-garde jazz: George Lewis
By Frédéric Cardin
Interview classique
The “Bring Your Own Wine” concerts by the Voxpopuli Quartet: where serious listening is combined with pleasure
By Frédéric Cardin
Concert review électro-minimal/Electronic/Classical/classique
Pop MTL 2026 | A Winged Victory For The Sullen… and What the Strings Leave Behind
By Marc-Antoine Bernier
Interview classique
Janina Fialkowska: for the first time at Maison symphonique… to bid farewell
By Frédéric Cardin
Concert review Classical/classique
From gay giraffes to loquacious egg cells, from surrealism to queer transhumanism, Opér’actuel 2026 is more contemporary, and fun, than ever
By Frédéric Cardin
Interview Classical/classique
From his Mirador, Jean-Michel Blais casts a tender gaze on the child within us
By Frédéric Cardin
Interview Classical/classique/Experimental
Oper’Actuel Main Show: Multilayered, Deep, Eclectic, Entertaining
By Alain Brunet
Interview classique/Classical/Création
Opér’actuel | From Grief Comes Creation: Rachel Krehm’s Journey Through Her Opera Come Closer
By Alexandre Villemaire
Concert review Classical/classique