Listings 360

Full listings 360
  • No results

Osheaga : Chet Faker au parc Jean-Drapeau

Sun 03 Aug 2025 • 08:10 pm Downtempo / Indie
Scène de la vallée belairdirect - Montréal 175$ ou 420$
· by Rédaction PAN M 360

Le chanteur et compositeur australien Nick Murphy est reconnu pour ses productions électroniques atmosphériques, réalisées tant sous son propre nom que sous le pseudonyme de Chet Faker. Il s’est d’abord fait connaître grâce à sa reprise envoûtante et trip-hop de No Diggity de Blackstreet, avant de sortir plusieurs autres singles sous le nom de Chet Faker, dont des collaborations remarquées avec Flume et Kilo Kish. Son premier album, Built on Glass (2014), à la fois sensuel et minimaliste, connaît un immense succès, se hissant en tête des classements et obtenant une certification platine en Australie. Par la suite, Murphy décide de publier sa musique sous son véritable nom, adoptant une approche plus organique et soul avec Run Fast Sleep Naked, son deuxième album sorti en 2019. Il relance toutefois le projet Chet Faker en 2021 avec l’album Hotel Surrender. La même année, il dévoile également son groupe Nick Murphy & the Program avec l’album Take in the Roses.

Australian singer/songwriter Nick Murphy is known for crafting atmospheric electronic productions under his real name as well as the moniker Chet Faker. First gaining recognition for his haunting trip-hop cover of Blackstreet’s “No Diggity,” he released several additional singles under the pseudonym, including charting collaborations with Flume and Kilo Kish, before his sensual, restrained debut full-length, Built on Glass, arrived in 2014. The album was a major success, topping the charts and earning a platinum certification in his home country. After reverting to his birth name, Murphy took a more soulful, organic approach for the release of his sophomore full-length, 2019’s Run Fast Sleep Naked. However, he later revived the Chet Faker project for the 2021 full-length Hotel Surrender. That same year, he debuted his band Nick Murphy & the Program on Take in the Roses.

POUR ACHETER VOTRE BILLET, C’EST ICI!

Ce contenu provient d’AllMusic et est adapté par PAN M 360

Latest 360 Content

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers