Baroque / Classical

OSL Winter Classical Festival | Friendly Baroque Journey

by Hélène Archambault

To open the 4th edition of its Winter Classical Festival, the Orchestre symphonique de Laval (OSL) invites us to travel to 18th-century Europe. Under the direction of conductor Mathieu Lussier, in the heart of winter, the OSL performs music by Handel, Vivaldi, Hasse, Quantz and Albinoni.

The repertoire is meticulously chosen: while presenting well-known composers, the orchestra offers pieces that are less well known. Mathieu Lussier, not without a sense of humor, introduces each piece to an attentive and receptive audience. Between anecdotes, keys to understanding and frankly amusing comments, his friendly tone enhances and enriches the journey.

The concert opens with 3 movements from Georg Friedrich Handel’s Concerto Grosso in D major, Op. 6, No. 5. Antoine Bareil, Johanne Morin and Chantal Marcil, respectively first solo violin, second solo violin and principal cello of the group, rival each other in spirit. This is followed by the Bassoon Concerto in E minor, RV 484. The sound of OSL principal bassoon Michel Bettez is enchanting, especially in the second movement. Performed immediately afterwards, Johann Adolphe Hasse’s Sinfonia in G minor, Op. 5 No. 6 was my finest moment of the evening. The orchestra is full of fire, and Bareil’s playing is expressive, precise and nuanced. Johann Joachim Quantz’s Concerto for flute in G major was a little less successful for soloist Jean-Philippe Tanguay, second flute and piccolo with the OSL. His high-pitched attacks lacked clarity. Vivaldi’s Overture, La verità in cimento, RV 739, plunges us back into the fire of the orchestra, while Tomaso Albinoni’s Concerto for oboe in D minor, Op. 9, No. 2 introduces us to the lively playing of Lindsay Roberts, second oboe and English horn of the OSL. Vivaldi closes the journey with the Trio Sonata in D minor “La follia” RV 63, arranged by Mathieu Lussier and featuring all three soloists.

Unfortunately, the room wasn’t full for this first evening. What I have to say about that is that the absentees are often, if not always, wrong. The comments and smiles on people’s faces at the end of the evening left no doubt: they left with their hearts in their mouths, warm and cosy, despite the chill that returned with a vengeance towards the end of the evening.

Photo Credit: Gabriel Fournier

Latest 360 Content

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Gilla Band – Pugnello

Gilla Band – Pugnello

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers