South Korean pianist Yeol Eum Son’s new album doesn’t lack the for versatility and energy for which she is internationally renowned. Her eclecticism is still pronounced: after her acclaimed interpretations of Mozart, Berg and Ravel, she now presents an album entirely devoted to Schumann. As an opening, the Fantasy in C major op. 17, followed by Kreisleriana op. 16, two pieces from the composer’s youth in which intense and virtuosic flashes alternate with moments when gentleness and lyricism take over, highlighting Son’s brilliant playing. The Arabesque in C major op. 18 concludes the album in all simplicity.
Latest 360 Content
Interview central asia/Musiques du Monde
Orientalys 2026 | Alex Iskandar: Ambassador of Central Asian Traditions in Montreal
By Frédéric Cardin
Concert review Pop/Indigenous peoples/Indigenous Soul Music
Présence Autochtone I Anyma Ora Captivates Place Des Festivals
By Michel Labrecque
Album review Classical/classique 2026
Alain Trudel; Orchestre symphonique de Trois-Rivières; Élisabeth Pion; Valérie Milot – Ravel
By Frédéric Cardin
Interview Hip Hop/Maori Traditional Music/rap
Présence Autochtone I Rei Speaks About His ‘Haka’ Rap
By Michel Labrecque
Concert review Pop/Electronic
OSHEAGA 2026 | Lorde Closes Osheaga Wired to Her Own Heartbeat
By Stephan Boissonneault
Concert review Hip Hop
OSHEAGA 2026 I Clipse Drip with Swag on the Mountain
By Stephan Boissonneault
Concert review Rock/Pop
OSHEAGA 2026 I Not For Radio Reincarnates on the Forest
By Stephan Boissonneault
Concert review Hip Hop
OSHEAGA 2026 I Little Simz is a Laid-back Class in Phenomenal Energy
By Marc-Antoine Bernier
Album review Électro/expérimental / contemporain 2026
Visible Cloaks – Paradessence
By Frédéric Cardin
Interview classique























