The adventure began in 2013 with Push the Sky Away, continued in 2016 with Skeleton Tree, marked by the mortal tragedy Cave experienced, and concluded in 2019 with Ghosteen. This authentic masterpiece is found at the confluence of avant-rock, electronic ambient and a poetic corpus full of metaphysical questioning, mythical appropriation and visceral expression. Nick Cave’s sky has partially cleared since the loss of his son Arthur, as he evokes the spectral sinuosities of the extraordinary Ghosteen, to our enormous delight.
Latest 360 Content
Concert review Rock/Experimental
FIJM 2026: Yoo II Avec Nolan Potter Brings Krautrock Madness to JazzFest
By Stephan Boissonneault
Concert review expérimental / contemporain/Traditional
FIJM 2026 I Tanya Tagaq Summons the Spirits
By Stephan Boissonneault
Interview Jazz
FIJM 2026 | A Love Supreme played straightforward by Isaiah Collier’s Quartet
By Alain Brunet
Concert review Jazz
FIJM 2026 | Kassa Overall Crumbles the Boundary Between Jazz and Hip Hop
By Harry Skinner
Concert review Jazz
FIJM 2026 | Anamaria Oramas Showcases Authentic Colombian Jazz
By Michel Labrecque
Concert review Jazz
FIJM 2026 | The Art of the Perfect Trio at Upstairs with Billy Childs
By Frédéric Cardin
Interview Jazz/Moyen-Orient / Levant / Maghreb
FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!
By Alain Brunet
Interview Jazz
FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival
By Michel Labrecque
Concert review Jazz
FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood
By Frédéric Cardin
Concert review Jazz
FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?
By Alain Brunet
Concert review Jazz
FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!
By Varun Swarup