The Luxembourg Philharmonic Orchestra presents two flagship works from the repertoire of the French composer César Frank. Under the baton of Gustavo Gimeno, artistic director and principal conductor of the orchestra, the great Symphony in D minor (1886-1888) and Symphonic Variations (1885) for piano and orchestra are performed. Through its interpretation, the Luxembourg formation succeeds in bringing out the main characteristics of late symphonic Romanticism in these two works, namely a marked character and omnipresent emotionalism. The orchestra stands out for its ability to interpret with accuracy the different emotions that Frank brings out through the three movements of his symphony. The colossal first movement is rendered with a bubbling ardour, while the second, much more refined in texture, is imbued with a lightness and innocence that the ensemble brilliantly depicts. The third movement, reminiscent of the Beethoven’s final symphonies, is grandiose and full of energy. This professionalism and immense technique are also found in the Symphonic Variations, featuring Russian pianist Denis Kozhukhin. As the work is a constant dialogue between the orchestra and the soloist, Kozhukhin’s pianistic playing can be appreciated at many moments, and it lives up to all expectations. This album does perfect justice to the two works it presents, and spotlights virtuosity as well as the mastery of language of César Frank, a great representative of late French Romanticism.
Latest 360 Content
Concert review Classical/classique/Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Josh Zubot Strings: maximum pertinence, maximum ravissement
By Alain Brunet
Concert review Indian Classical/classique/Electronic/expérimental / contemporain/Experimental / Contemporary/Jazz
FIMAV 2026 | Amirtha Kidambi: musiques séduisantes, prolixité militante
By Alain Brunet
Concert review Electronic/DJ set/Pop
Palomosa 2026: Hannah Diamond Brings The Pinkest DJ Set Ever
By Helena Palmer
Interview Rock/Electronic/Hip Hop
Palomosa 2026: Bands, Blood Rituals, and the Art of Curating a Festival – Interview with Mathieu Constance
By Lyle Hendriks
Interview Electronic/expérimental / contemporain/Classical/classique
FIMAV 2026 | “Voda” by Sarah Pagé, Sounds Inspired by Water Through Russian Mythology and Poetry
By Alain Brunet
Album review Pop 2026
Palomosa 2026: Sophia Stel – How To Win At Solitaire (Deluxe Edition)
By Stephan Boissonneault
Album review Electronic/Classical/classique 2026
Sam Davidson, Yujin Honda, Will Howie – Unrealistic Spaces
By Frédéric Cardin
Album review Art Folk/classique/Jazz 2026
Elina Duni/Rob Luft – Reaching for the Moon
By Frédéric Cardin
Album review expérimental / contemporain/classique/Classical 2026
Allison Cameron/Scott Thomson – Platanus
By Frédéric Cardin
Album review Pop/Rock/Jazz 2026
Louis Beaudoin-de la Sablonnière – Psychedelic Space Rock
By Frédéric Cardin
Interview Electronic/expérimental / contemporain/Experimental / Contemporary/Rock
FIMAV 2026 | Amirtha Kidambi: Voice, Strength, Vision, Commitment
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary/Jazz
FIMAV 2026 | Scott Thomson Presents His Program
By Alain Brunet
Concert review Electronic
EAF – I Can Still Love: Corporation and Andy Stott at S.A.T.
By Loic Minty
Album review expérimental / contemporain 2026























