The Luxembourg Philharmonic Orchestra presents two flagship works from the repertoire of the French composer César Frank. Under the baton of Gustavo Gimeno, artistic director and principal conductor of the orchestra, the great Symphony in D minor (1886-1888) and Symphonic Variations (1885) for piano and orchestra are performed. Through its interpretation, the Luxembourg formation succeeds in bringing out the main characteristics of late symphonic Romanticism in these two works, namely a marked character and omnipresent emotionalism. The orchestra stands out for its ability to interpret with accuracy the different emotions that Frank brings out through the three movements of his symphony. The colossal first movement is rendered with a bubbling ardour, while the second, much more refined in texture, is imbued with a lightness and innocence that the ensemble brilliantly depicts. The third movement, reminiscent of the Beethoven’s final symphonies, is grandiose and full of energy. This professionalism and immense technique are also found in the Symphonic Variations, featuring Russian pianist Denis Kozhukhin. As the work is a constant dialogue between the orchestra and the soloist, Kozhukhin’s pianistic playing can be appreciated at many moments, and it lives up to all expectations. This album does perfect justice to the two works it presents, and spotlights virtuosity as well as the mastery of language of César Frank, a great representative of late French Romanticism.
Latest 360 Content
Interview DJ set/Electronic/expérimental / contemporain/Experimental / Contemporary/Soul/R&B/Jazz
MUTEK 2026 | Herbert in Three Shows: The Activist, Composer and Producer Is Finally Back
By Alain Brunet
Concert review Rock
Vans Warped Tour Montreal: Big Ass Truck I. E. Whips Ghost Stage into A Frenzy
By Jake Friesen
Concert review Pop/Rock
Vans Warped Tour Montreal: 3OH!3 is Still Raunchy and Full of Bangers
By Jake Friesen
Concert review Rock
Vans Warped Tour Montreal: Joyce Manor — Wide Awake at the End of the Summer
By Lyle Hendriks
Concert review Rock
Vans Warped Tour Montreal: Concrete Vehicles is Pure Stage Violence
By Stephan Boissonneault
Concert review Rock
Vans Warped Tour Montreal: Bearings Brought Pop Punk Bliss to Ghost Stage
By Stephan Boissonneault
Album review classique 2026
Isabella d’Éloize Perron, Francis Choinière et l’Orchestre FILMharmonique – François Dompierre : Les quatre saisons du Québec
By Frédéric Cardin
Concert review Rock/Pop
Vans Warped Tour Montreal: Bowling For Soup is the Greatest Band of All Time
By Stephan Boissonneault
Interview Electronic/expérimental / contemporain/exposition
MUTEK 2026 : What Does a Laser Sound Like in the Super Galaxy Meow Meow ?
By Ariel Rutherford
Album review Classical/classique/expérimental / contemporain 2026
Olivier Alary – Vestiges
By Frédéric Cardin
Album review Jazz 2026
Domas Žeromskas – Meditations on Providence and Perseverance, Vol. 2
By Frédéric Cardin
Interview Electronic/Experimental / Contemporary/expérimental / contemporain/Rock
MUTEK 2026 | Finding the Flow With Fennesz
By Alain Brunet
Interview Classical/classique/Romantic
Domaine Forget 2026 | Mathieu Lussier and the discovery of French music
By Pietro Freiburger
Album review Classical/classique 2026























