The Luxembourg Philharmonic Orchestra presents two flagship works from the repertoire of the French composer César Frank. Under the baton of Gustavo Gimeno, artistic director and principal conductor of the orchestra, the great Symphony in D minor (1886-1888) and Symphonic Variations (1885) for piano and orchestra are performed. Through its interpretation, the Luxembourg formation succeeds in bringing out the main characteristics of late symphonic Romanticism in these two works, namely a marked character and omnipresent emotionalism. The orchestra stands out for its ability to interpret with accuracy the different emotions that Frank brings out through the three movements of his symphony. The colossal first movement is rendered with a bubbling ardour, while the second, much more refined in texture, is imbued with a lightness and innocence that the ensemble brilliantly depicts. The third movement, reminiscent of the Beethoven’s final symphonies, is grandiose and full of energy. This professionalism and immense technique are also found in the Symphonic Variations, featuring Russian pianist Denis Kozhukhin. As the work is a constant dialogue between the orchestra and the soloist, Kozhukhin’s pianistic playing can be appreciated at many moments, and it lives up to all expectations. This album does perfect justice to the two works it presents, and spotlights virtuosity as well as the mastery of language of César Frank, a great representative of late French Romanticism.
Latest 360 Content
Album review Electronic/Classical/classique/Musiques du Monde 2026
Kaoru Watanabe – The Arch
By Frédéric Cardin
Concert review Classical/classique
Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”
By Frédéric Cardin
Interview classique/Moyen-Orient / Levant / Maghreb
FMA 2026 | Amin Reihani: Making Music a Language of Peace
By Sandra Gasana
Album review Classical/classique 2026
Susan Fancher/Ināra Zandmane – Strange Lights
By Frédéric Cardin
Interview Classical/classique
Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music
By Frédéric Cardin
Concert review classique/Classical
SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music
By Pietro Freiburger
Interview
Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic
By Michel Rondeau
Interview Classical/classique/Electronic
Akousma | Les Artefacts sonores de Roxanne Turcotte
By Alexandre Villemaire
Interview Electronic/expérimental / contemporain
Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge
By Michel Rondeau
Interview Electronic/expérimental / contemporain
Akousma | Exzald S, la violence du calme
By Alain Brunet
Concert review Caribbean
Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal
By Juliana Cortes
Interview arts numériques/Classical/classique/Électronique
Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion
By Alexandre Villemaire
Interview arts numériques/Classical/classique/Électronique
Akousma | Alex Brisson et l’exploration musicale du feedback
By Alexandre Villemaire
Concert review Classical/classique
Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music
By Frédéric Cardin
Concert review Classical/classique























