Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Interview by Sandra Gasana
Genres and styles : Caribbean

Additional Information

After a career outside the cultural sphere, Pierre-Roland Bain devoted himself entirely to promoting Creole culture in all its forms once he retired. As the founder of Creole Month and the founding president of the International Committee for the Promotion of Creole and Literacy (KEPKAA), he provided us with a midpoint review of the activities from the first two weeks of October while highlighting upcoming events not to be missed. This lover of literature, music, and theater is a veritable walking encyclopedia. During our interview, we discussed several topics, such as the history of Haiti through its key figures: Toussaint Louverture and Jean-Jacques Dessalines. In fact, the evening of Saturday, October 17, will pay tribute to Dessalines with a performance featuring the virtuoso pianist David Bontemps. Sandra Gasana spoke with Mr. Bain for PANM360.

Crédit photo: Valérie Gassien

Publicité panam









Latest 360 Content

Voces Boreales | Tempus Fugit, “to experience time differently”

Voces Boreales | Tempus Fugit, “to experience time differently”

Trio Helios and the aesthetics of ugliness

Trio Helios and the aesthetics of ugliness

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours

Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours

Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle

Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle

Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying

Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying

Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis

Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis

Krystina Marcoux : ‘’I want to put the marimba on a pedestal’’

Krystina Marcoux : ‘’I want to put the marimba on a pedestal’’

FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa

FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa

George Lewis: Scores of Freedom

George Lewis: Scores of Freedom

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers