FMCM 2026 | Cameron Crozman: Chamber Music Straight to the Heart

Interview by Pietro Freiburger
Genres and styles : classique / musique de chambre

Additional Information

On June 16, rising cello star Cameron Crozman will perform at Salle Bourgie as part of the Montreal Chamber Music Festival (FMCM), alongside other leading figures in the music world. We sat down with him to talk about the concert and his career.

PAN M 360: You’re a very active chamber musician—could you tell us more about your relationship with this genre?

Cameron Crozman : Chamber music is a very important part of my musical career. I fell in love with it fairly early in my career, while I was still a student, and participating in events like the Toronto Summer Music Academy, where I had the chance to play with incredible musicians, has strengthened that passion tremendously. Another reason I’m drawn to this genre is the quality of the repertoire: I believe composers often give their best in chamber music compositions.

PAN M 360: You’re very active in Montreal. How do you feel about performing in this city, and how do you think it has influenced your artistic journey?

Cameron Crozman :  I settled in Montreal because, after studying in Paris, I was looking for a French-speaking environment, and here I found a city with a balanced pace of life and an international atmosphere, along with a remarkable cultural scene. In this regard, I believe that the Haus Musique concert series, which I direct with pianist Meagan Milatz and which is made possible by generous donations, is a good representation of the contribution I can make to the city as an active artist in the field of music.

PAN M 360: What is your connection to the program and the composers featured at Salle Bourgie?

Cameron Crozman : As for me, I’ll be performing the Quintet by Jaap Nico Hamburger, a Montreal composer whose works I’ve performed in the past. I can say that, generally speaking, the entire program was designed to engage the audience as much as possible, since this is a lunchtime concert intended to share with the audience not only great music, but also the precious instruments from the Canada Council for the Arts’ collection that will be used during the concert.

PAN M 360: Speaking of instruments, tell us about your cellos!

Cameron Crozman : I have also been the recipient of various instruments from the Canada Council for the Arts’ Bank, three to date. The most recent was a Gagliano, on which I recorded my latest project, and today I have the privilege of playing a Montagnana from the Canimex Foundation in Drummondville.

PAN M 360: Can you tell us about your current and future projects?

Cameron Crozman : Currently, one role that interests and excites me greatly is that of artistic director. I recently helped develop the Classical Valley Festival in Kelowna, British Columbia, which combines classical music with local wine excellence. Despite the many challenges, this work brings me immense satisfaction because it gives me the opportunity to take music beyond major cities and showcase musicians I consider talented. I am also involved with the Festival of the Sound in Parry Sound, Ontario, a staple of the Canadian music scene that has helped me understand the importance of diverse creative projects.

Publicité panam

Latest 360 Content

Mundial MTL 2026 | Orbital Ensemble : steeped into vintage, but with an ear in the present

Mundial MTL 2026 | Orbital Ensemble : steeped into vintage, but with an ear in the present

FMA 2026 | Al Qahwa: The Coffee of Cultures, The Rhythm of Encounters

FMA 2026 | Al Qahwa: The Coffee of Cultures, The Rhythm of Encounters

Mundial MTL 2026 | Where We Come From, Who We Become: An Interview with Tara Moneka

Mundial MTL 2026 | Where We Come From, Who We Become: An Interview with Tara Moneka

Caprice Ensemble at the 9th Floor : Hallelujah or the Jewish Colours of Baroque Music

Caprice Ensemble at the 9th Floor : Hallelujah or the Jewish Colours of Baroque Music

FMA 2026 | Le Livre des Reines : Dialogues between Inspiring Women from Europe and Persia, from Yesterday till Today

FMA 2026 | Le Livre des Reines : Dialogues between Inspiring Women from Europe and Persia, from Yesterday till Today

Salle Bourgie | Mike Bruzzese, inspired by his grandfather’s poetry

Salle Bourgie | Mike Bruzzese, inspired by his grandfather’s poetry

Salle Bourgie | Jordan Bak : ”I wish to be excited on stage and with the audience”

Salle Bourgie | Jordan Bak : ”I wish to be excited on stage and with the audience”

FMA 2026 | Walaa Al Jundi’s Beautiful Voice, Craft And Refinement… Despite Deep Suffering In Her Region

FMA 2026 | Walaa Al Jundi’s Beautiful Voice, Craft And Refinement… Despite Deep Suffering In Her Region

Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom

Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom

Voces Boreales | Tempus Fugit, “to experience time differently”

Voces Boreales | Tempus Fugit, “to experience time differently”

Trio Helios and the aesthetics of ugliness

Trio Helios and the aesthetics of ugliness

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers