breakcore / Electro-Punk / Electronic

Palomosa 2026: Femtanyl is Digital Chaos

by Félicité Couëlle-Brunet

Femtanyl was probably one of the most unpredictable acts on the lineup. At first glance, the name immediately brings to mind fentanyl, which creates a certain unease and makes one wonder why they would choose such a heavy-handed reference for a musical project. But this ambiguity almost becomes a gateway into their raw, chaotic, yet deeply human world.
The duo—composed of Juno Callender on drums and Noelle Stockwood on vocals—offers a surprisingly simple yet extremely effective formula. The live drums provide an immediate physical energy, while the vocals cut through aggressive, saturated, glitchy digital textures. Their sound evokes digital hardcore, but with an almost euphoric dimension, as if the sonic violence also becomes a space for emotional release.

There is an “emo” quality to their performance in the most sincere sense of the word: a way of addressing real issues without trying to sugarcoat the emotion. Here, the aesthetic seems to emerge directly from emotional intensity rather than from an artificial construct. The visual and sonic chaos thus becomes a natural extension of the feelings expressed on stage. References to video games, digital interfaces, and glitch aesthetics play a major role in this universe. In an interview with BACKLIGHT, Noelle Stockwood mentions an interest in cyberpunk universes and video game music, which is clearly evident in the way their compositions create almost interactive atmospheres.
Beyond the noise and intensity, what stood out most was the band’s connection with the audience. There was a palpable focus on crowd etiquette, respect for others, and the creation of a safe space despite the concert’s explosive energy. The crowd’s movement seemed guided by the band’s intentions rather than by uncontrolled aggression. This sensitivity, linked in part to discussions about neurodiversity within their community, gave the concert a surprisingly caring atmosphere. Behind the digital chaos, there was above all a very clear desire to create a collective space where emotion could be fully experienced.

Photo by Play Fille

Latest 360 Content

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Gilla Band – Pugnello

Gilla Band – Pugnello

David Bowie – The Shel Talmy Recordings

David Bowie – The Shel Talmy Recordings

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Arion: Cinderella has fun and unleashes her magic

Arion: Cinderella has fun and unleashes her magic

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Azrieli Prize 2026: The Four Pillars of the Temple

Azrieli Prize 2026: The Four Pillars of the Temple

Fat Dog – Cancel Me (I’m Tired)

Fat Dog – Cancel Me (I’m Tired)

Protomartyr – Hotel Usona

Protomartyr – Hotel Usona

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Girl Ultra – RRRomeo

Girl Ultra – RRRomeo

Cameron Winter – Live at Carnegie Hall

Cameron Winter – Live at Carnegie Hall

Eveybody’s Friends With Broken Social Scene

Eveybody’s Friends With Broken Social Scene

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers