Drone
Concert review Electronic/Experimental / Contemporary/expérimental / contemporain/Experimental/noise
MUTEK | Daniela Huerta, brujedos from the inside of the earth
By Sandra Gasana
Concert review Experimental / Contemporary/expérimental / contemporain/Electronic
MUTEK | Shackleton-Belmannu-Zimpel: Elevation
By Alain Brunet
Interview Electronic/Experimental / Contemporary/expérimental / contemporain/Électro/exposition
MUTEK | Deep listening mythologies with Daniela Huerta
By Z Neto Vinheiras
Album review Experimental / Contemporary/expérimental / contemporain 2024
Senyawa – Vajranala
By Laurent Bellemare
Album review Rock/Experimental / Contemporary/expérimental / contemporain 2024
Godspeed You! Black Emperor – “NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD” (Top Albums of 2024)
By Stephan Boissonneault
Album review Experimental / Contemporary/expérimental / contemporain/Experimental 2024
Uboa – Impossible Light
By Laurent Bellemare
Album review Experimental / Contemporary/expérimental / contemporain/South-East Asian 2023
Lynn Nandar Htoo – Jamadevi
By Laurent Bellemare
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Classical/classique 2024
Alexandre Tessier – Temps
By Laurent Bellemare
Album review Electronic/Classical/classique/Experimental / Contemporary/expérimental / contemporain 2024
Maya Shenfeld – Under the Sun
By Alain Brunet
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Électro 2023
PAN M 360 / TOP 100 : OZmotic & Fennesz – Senzatempo
By Théo Reinhardt
Album review metal/Rock/Experimental / Contemporary/expérimental / contemporain 2023
PAN M 360 / TOP 100: BIG|BRAVE – Nature Morte
By Alain Brunet
Album review Experimental / Contemporary/expérimental / contemporain/Métal/Rock 2023
Khanate – To Be Cruel
By Laurent Bellemare
Album review Rock/Experimental / Contemporary/expérimental / contemporain 2023
BIG|BRAVE – Nature morte
By Alain Brunet
Interview Electronic/Experimental / Contemporary/expérimental / contemporain
MUTEK 2022 / “SPILLOVER,” A MULTI-SENSORY EXPERIENCE BETWEEN NATURE AND HUMANITY
By Salima Bouaraour
Interview Experimental / Contemporary/expérimental / contemporain/Electronic
MUTEK 2022: Liliane Chlela on her electronic illustration of good versus evil
By Stephan Boissonneault
Column Experimental / Contemporary/expérimental / contemporain/Electronic
Ifriqiyya Electrique or the kind of possession I can get behind
By Stephan Boissonneault
Album review Experimental / Contemporary/expérimental / contemporain/Spoken Word 2022
Nick Cave – Seven Psalms
By Thomas Moultrie
What to watch Experimental / Contemporary/expérimental / contemporain/Rock
Meet Bonnie Trash, a new drone-rock sister twins duo, with the sinister single “Teeth”
By Stephan Boissonneault
Album review Electronic/Pop/Experimental / Contemporary/expérimental / contemporain 2022
Jenny Hval – Classic Objects
By Alain Brunet
Album review Experimental / Contemporary/expérimental / contemporain/Rock 2022
Boris – W
By Luc Marchessault
Album review Electronic/Folk/Americana/Experimental / Contemporary/expérimental / contemporain 2021
Grouper – Shade
By Alain Brunet
Interview Rock/Experimental / Contemporary/expérimental / contemporain
Chaos E.T. Sexual: A darkness full of emotion and meaning
By Yohann Goyat
Album review Electronic/Rock/Experimental / Contemporary/expérimental / contemporain/Classical/classique 2020
Vertigo KO
By Alain Brunet
Interview Electronic/Experimental / Contemporary/expérimental / contemporain