• Album reviews
  • Concert reviews
  • Listing 360
  • Interviews
  • Audios
    • Playlists
    • Podcasts
  • Vidéos
    • What to watch
    • Sessions 360
  • Columns
  • Dossiers
FRANçAIS
  • facebook
  • Instagram
  • Youtube
  • Album reviews
  • Concert reviews
  • Listing 360
  • Interviews
  • Audios
    • Playlists
    • Podcasts
  • Vidéos
    • What to watch
    • Sessions 360
  • Columns
  • Dossiers
  • My Account
  • Déconnexion
  • What is PAN M 360 ?
  • Équipe
  • Contact
  • Partners
  • Privacy Statement
  • Cookie Policy
  • Team
  • What is PAN M 360 ?
« classique

Classical Baroque / Choral Music / Classical Singing / Modern Classical / Contemporary / Electroacoustic / Minimalist / Early Music / Neoclassical / Opera / Contemporary Opera / Post-Minimalist / Romantic / Classical Period / Renaissance / Renaissance music / musique de chambre / post-romantique / musique contemporaine / période romantique / Chamber Music / Creative Music

The inner cinema of composer and sound artist Roxanne Turcotte
Interview Classical/classique/Experimental / Contemporary/expérimental / contemporain/Modern music

The inner cinema of composer and sound artist Roxanne Turcotte

By Frédéric Cardin
Elisabeth St-Gelais: “Poursuivie par le même rêve” at l’Infini
Interview Classical/classique

Elisabeth St-Gelais: “Poursuivie par le même rêve” at l’Infini

By Alexandre Villemaire
OSM | Alpine Symphony: When Woods Become Sherpas
Concert review classique/Classical

OSM | Alpine Symphony: When Woods Become Sherpas

By Alexis Desrosiers-Michaud
Francis Choinière and OPCM: 10 Seasons And Counting
Interview classique/Classical

Francis Choinière and OPCM: 10 Seasons And Counting

By Alexandre Villemaire
Albertine in Five Stages, The Angle of Conception and Staging
Interview Musical Theatre/Classical/classique

Albertine in Five Stages, The Angle of Conception and Staging

By Alain Brunet
Festival du Monde Arabe 2024 | Sainte Marine: a character and a opera between two worlds
Concert review Classical/classique

Festival du Monde Arabe 2024 | Sainte Marine: a character and a opera between two worlds

By Frédéric Cardin
Jason Xu, first saxophonist to win top honors at the OSM Competition
Concert review classique

Jason Xu, first saxophonist to win top honors at the OSM Competition

By Alexis Desrosiers-Michaud
ArtChoral | Autumn Colors in Half-Tone
Concert review Classical/classique

ArtChoral | Autumn Colors in Half-Tone

By Alexandre Villemaire
ArtChoral Plays in Les feuilles mortes
Interview Chanson francophone/Classical/classique

ArtChoral Plays in Les feuilles mortes

By Alexandre Villemaire
Flûte Alors! – Scherzi forastieri
Album review Classical/classique 2024

Flûte Alors! – Scherzi forastieri

By Frédéric Cardin
Arion Orchestre Baroque | Leila Schayegh Plays and Conducts… a Swiss Army Knife for Baroque!
Interview Classical/classique

Arion Orchestre Baroque | Leila Schayegh Plays and Conducts… a Swiss Army Knife for Baroque!

By Alain Brunet
Bruce Liu – Tchaïkovsky : The Seasons
Album review Classical/classique 2024

Bruce Liu – Tchaïkovsky : The Seasons

By Frédéric Cardin
Festival du Monde Arabe 2024 | Creation of an opera about Sainte-Marine the Disguised, the 5th-century woman who lived as a monk
Interview Classical/classique

Festival du Monde Arabe 2024 | Creation of an opera about Sainte-Marine the Disguised, the 5th-century woman who lived as a monk

By Frédéric Cardin
OSL | Rencontre(s) au sommet with Antoine Bareil and Adam Johnson
Concert review classique/Classical

OSL | Rencontre(s) au sommet with Antoine Bareil and Adam Johnson

By Alexandre Villemaire
OSM | Sublime Sibelius !
Concert review classique/Classical

OSM | Sublime Sibelius !

By Alexis Desrosiers-Michaud
Interview Jazz/Classical/classique/Musiques du Monde

By Alain Brunet
Annie Saumier talks about the OSM 2024 Competition
Interview classique

Annie Saumier talks about the OSM 2024 Competition

By Alexandre Villemaire
Pinnacle of Modern Choral Music at the Azrieli Music Prizes
Concert review Classical/classique

Pinnacle of Modern Choral Music at the Azrieli Music Prizes

By Alain Brunet
OSL | Antoine Bareil Plays Mendelssohn’s Famous Violin Concerto
Interview classique/Classical

OSL | Antoine Bareil Plays Mendelssohn’s Famous Violin Concerto

By Alexandre Villemaire
Örjan Sandred and the Stenhammar Quartet Reinvent Live Electronics
Interview Electronic/Classical/classique

Örjan Sandred and the Stenhammar Quartet Reinvent Live Electronics

By Alexandre Villemaire
James Ehnes/Orchestre philharmonique de Bergen, dir.: Edward Gardner – Sibelius : Violin Concerto, Serenades, Humoresques
Album review Classical/classique 2024

James Ehnes/Orchestre philharmonique de Bergen, dir.: Edward Gardner – Sibelius : Violin Concerto, Serenades, Humoresques

By Frédéric Cardin
Trio Fibonacci – Max Richter Remixed
Album review Classical/classique 2024

Trio Fibonacci – Max Richter Remixed

By Frédéric Cardin
Violons du Roy | Richness and Vocal Splendor of the Divine Handel
Concert review Classical/classique

Violons du Roy | Richness and Vocal Splendor of the Divine Handel

By Mona Boulay
Le Vivier | Flashback: Immersive Exploration of the Narcissus Myth for Violin and Electronics
Interview expérimental / contemporain/Classical/classique

Le Vivier | Flashback: Immersive Exploration of the Narcissus Myth for Violin and Electronics

By Alain Brunet
Subscribe to our newsletter
  • Privacy Statement
  • Cookie Policy
  • Team
  • What is PAN M 360 ?
  • facebook
  • Instagram
  • Twitter
  • Youtube
  • Linkedin
Manage Cookie Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
View preferences
{title} {title} {title}