Born in Virginia to a Colombian father, Karly-Marina Loaiza became Kali Uchis in Los Estados Unidos. Since childhood, she’s been imbued with her cultural roots by regularly visiting Colombia, and her second nationality is put forward here. A resident of Los Angeles since her professional debut, she had become an R&B singer, surrounded by top beatmakers, starting with the gifted Tyler the Creator. Isolation, her 2018 debut album, propelled her onto every R&B and hip-hop stage on the international circuit. Until the recent release of Sin Miedo (del Amor y Otros Demonios), Spanish was ornamentation on Anglo-American expression. This time, English plays a supporting role and the mother tongue the main one, a metaphor for a globalization in which identities retain their attractive power. From this perspective, this pop album by Kali Uchis is an ideal hybrid and contributes to changing our perceptions of Latin pop. The production standards are very high, there’s no need to catch up with the best of Anglo-American beatmaking; Uchis has availed herself of a legion of guest composers, directors, musicians, and singers – the Puerto Rican artists Jowel & Randy and Jhay Cortez, the Canadian PartyNextDoor, the American Rico Nasty. Bolero (romantic ballads), reggaeton, orchestral pop, hip-hop, soul, and R&B are here wrapped in superb, refined arrangements and top-notch synthesized sounds in a pop context. Sensual and hyper-sexualized singer, but above all imperial songstress, the talented Uchis imposes her difference in globalized pop.
Latest 360 Content
Interview Classical/classique
Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau
By Frédéric Cardin
Album review Classical/classique 2026
Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy
By Frédéric Cardin
Album review Classical/classique 2026
Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos
By Frédéric Cardin
Concert review Experimental/Hip Hop
FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise
By Jake Friesen
Interview Experimental/Hip Hop
haha Laughing All the Way to the Bank
By Jake Friesen & Lyle Hendriks
Interview classique/Classical
The Four Seasons of Quebec: Interview with François Dompierre
By Frédéric Cardin
Interview Classical/classique
Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul
By Frédéric Cardin
Album review Classical/classique 2026
Brìghde Chaimbeul and Colin Stetson – All the light in the world
By Frédéric Cardin
Concert review Experimental/percussions/Rock
FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME
By Stephan Boissonneault
Concert review
FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque
By Stephan Boissonneault
Concert review
FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation
By Stephan Boissonneault
Concert review Rock/jangle pop/Psychedelia
FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros
By Stephan Boissonneault
Concert review Rock
FME 2026 I Iguana Death Cult Converts the Non-Believers
By Stephan Boissonneault
Interview latino/Electronic























