Latest 360 Content

OSHEAGA 2026 I The xx is a Monochrome Green dream
Concert review Rock/Pop

OSHEAGA 2026 I The xx is a Monochrome Green dream

By Helena Palmer
OSHEAGA 2026 I Wolf Alice Owns the Mountain
Concert review Rock

OSHEAGA 2026 I Wolf Alice Owns the Mountain

By Helena Palmer
OSHEAGA 2026 I Geese Ate The Forest
Concert review Rock

OSHEAGA 2026 I Geese Ate The Forest

By Stephan Boissonneault
OSHEAGA 2026 | Blood Orange Pokes A Hole in the Clouds
Concert review Rock/Pop/Soul/R&B/Jazz

OSHEAGA 2026 | Blood Orange Pokes A Hole in the Clouds

By Stephan Boissonneault
OSHEAGA 2026 I Leon Bridges Defies Gravity
Concert review Soul/R&B

OSHEAGA 2026 I Leon Bridges Defies Gravity

By Stephan Boissonneault
mary in the junkyard – Role Model Hermit
Album review Rock 2026

mary in the junkyard – Role Model Hermit

By Stephan Boissonneault
Présence autochtone 2026 | We talk about the Programming with the Director
Interview Indigenous peoples

Présence autochtone 2026 | We talk about the Programming with the Director

By Frédéric Cardin
Concerts aux Îles du Bic | Samaqani Cocahq Gives Voice to Wolastoq Traditions
Interview

Concerts aux Îles du Bic | Samaqani Cocahq Gives Voice to Wolastoq Traditions

By Jeremy Fortin
Yard Act – You’re Gonna Need A Little Music
Album review Rock 2026

Yard Act – You’re Gonna Need A Little Music

By Stephan Boissonneault
Concerts aux Îles du Bic | Pierre-Luc Lecours and the Ensemble Modulaire: Between Sound, Image, and the Moment
Interview Classical/classique/Electronic

Concerts aux Îles du Bic | Pierre-Luc Lecours and the Ensemble Modulaire: Between Sound, Image, and the Moment

By Chloé Rouffignac
Charli xcx – Music, Fashion, Film
Album review Rock 2026

Charli xcx – Music, Fashion, Film

By Helena Palmer
Concerts aux Îles du Bic | Andrea Stewart: “We’re always creating”
Interview classique/Classical

Concerts aux Îles du Bic | Andrea Stewart: “We’re always creating”

By Chloé Rouffignac
Lanaudière 2026 | Saskia Giorgini : The Italian Piano
Interview classique/Classical

Lanaudière 2026 | Saskia Giorgini : The Italian Piano

By Pietro Freiburger
Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It
Interview classique/Classical

Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It

By Alexandre Villemaire
Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve
Interview classique

Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve

By Frédéric Cardin
Nuits d’Afrique 2026 | Somos Más: A Celebration of Memory, Community, and Resistance
Concert review latino

Nuits d’Afrique 2026 | Somos Más: A Celebration of Memory, Community, and Resistance

By Juliana Cortes
Yes – Aurora
Album review Folk/Americana/Rock/Progressive Folk 2026

Yes – Aurora

By Stephan Boissonneault
Steve Lacy – Oh yeah?
Album review Indie/Soul/R&B/Rock 2026

Steve Lacy – Oh yeah?

By Stephan Boissonneault
Xiu Xiu – Eraserhead
Album review Electronic/expérimental / contemporain/Rock 2026

Xiu Xiu – Eraserhead

By Stephan Boissonneault
Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music
Concert review Brazilian/Indigenous peoples

Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music

By Juliana Cortes
Réka Csiszér & Radwan Ghazi Moumneh – Le Révélateur
Album review expérimental / contemporain/musique de film 2026

Réka Csiszér & Radwan Ghazi Moumneh – Le Révélateur

By Frédéric Cardin
Yiddish Glory – The Silenced Songs of World War II
Album review Traditional 2026

Yiddish Glory – The Silenced Songs of World War II

By Frédéric Cardin
Chanel Beads – Your Day Will Come
Album review Experimental / Contemporary/expérimental / contemporain 2026

Chanel Beads – Your Day Will Come

By Stephan Boissonneault
Lanaudière 2026 | Explosion of colours and emotions thanks to Payare, Weilerstein, Ortiz, and Shostakovich
Concert review classique/Classical

Lanaudière 2026 | Explosion of colours and emotions thanks to Payare, Weilerstein, Ortiz, and Shostakovich

By Frédéric Cardin
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