Nuits d’Afrique | Daby Touré’s Montreal Cycle

Interview by Alain Brunet

Additional Information

A well-kept secret? Daby Touré became a Montrealer a few years ago, and is now embarking on a new cycle in his public life. An atypical African author, composer and performer, integrating elements of folk, rock and Western-style pop, Daby Touré got off to a flying start when he was spotted by Peter Gabriel and signed to his Real World label, touring with the celebrated British artist.

Two decades later, Daby Touré’s career has been a little more confidential than advertised. From his native Mauritania and the Senegal from which his famous paternal family descended (father and uncles of the famous Touré Kunda group), Daby Touré has continued to transhumance across this land, becoming an authentic citizen of the world. After returning regularly to West Africa, he lived in Paris before settling in Montreal. His albums include Diam (2004), Stereo Spirit (2007), Lang(u)age (2012) and Amonafi (2015).

Daby Touré hasn’t recorded an album in 10 years, but claims to have plenty of new songs up his sleeve. He’s back in action this July 11 at Nuits d’Afrique, who have booked the Fairmount Theatre for his professional comeback. It seems that he has completely rearranged his classics and will be offering us a few previously unreleased songs from his new repertoire. Before that, he tells Alain Brunet the ins and outs of his new Montreal cycle, which may take him to stages around the world.

Publicité panam

Latest 360 Content

Mundial MTL 2026 | Orbital Ensemble : steeped into vintage, but with an ear in the present

Mundial MTL 2026 | Orbital Ensemble : steeped into vintage, but with an ear in the present

FMA 2026 | Al Qahwa: The Coffee of Cultures, The Rhythm of Encounters

FMA 2026 | Al Qahwa: The Coffee of Cultures, The Rhythm of Encounters

Mundial MTL 2026 | Where We Come From, Who We Become: An Interview with Tara Moneka

Mundial MTL 2026 | Where We Come From, Who We Become: An Interview with Tara Moneka

Caprice Ensemble at the 9th Floor : Hallelujah or the Jewish Colours of Baroque Music

Caprice Ensemble at the 9th Floor : Hallelujah or the Jewish Colours of Baroque Music

FMA 2026 | Le Livre des Reines : Dialogues between Inspiring Women from Europe and Persia, from Yesterday till Today

FMA 2026 | Le Livre des Reines : Dialogues between Inspiring Women from Europe and Persia, from Yesterday till Today

Salle Bourgie | Mike Bruzzese, inspired by his grandfather’s poetry

Salle Bourgie | Mike Bruzzese, inspired by his grandfather’s poetry

Salle Bourgie | Jordan Bak : ”I wish to be excited on stage and with the audience”

Salle Bourgie | Jordan Bak : ”I wish to be excited on stage and with the audience”

FMA 2026 | Walaa Al Jundi’s Beautiful Voice, Craft And Refinement… Despite Deep Suffering In Her Region

FMA 2026 | Walaa Al Jundi’s Beautiful Voice, Craft And Refinement… Despite Deep Suffering In Her Region

Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom

Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom

Voces Boreales | Tempus Fugit, “to experience time differently”

Voces Boreales | Tempus Fugit, “to experience time differently”

Trio Helios and the aesthetics of ugliness

Trio Helios and the aesthetics of ugliness

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers