ONJ | Miho Hazama, From Tokyo to NYC

Interview by Alain Brunet
Genres and styles : Contemporary Jazz

Additional Information

Educated as a keyboardist in Tokyo, Miho Hazama has become one of the most promising and talented composers and arrangers of her generation in New York. She is clearly one of the successors to the established composers, arrangers and leaders of contemporary jazz, notably her teacher and mentor Jim McNeely, with whom she studied at the Manhattan School of Music. Her compositions include works written for the Tokyo Philharmonic Orchestra (JP), the Gothenburg Symphony Orchestra (SE) and the Metropole Orkest (NL). As a conductor, she has been associated with the Danish Radio Big Band, the Metropole Orkest, the WDR Big Band (DE), the Norrbotten Big Band (SE), the KORK Orchestra (NO) and the New York Jazzharmonic, to name but a few. Understandably, her first appearance in Montreal is an event for the local community of musicians and music lovers. The composer and maestra will conduct a program including her own works and others by Maria Schneider, Toshiko Akiyoshi, Camila Meza and Christine Jensen. All of which justifies this interview between Miho Hazana and Alain Brunet.

MIHO HAZAMA AND ONJ PERFORM AT GESÙ, ON FRIDAY NOVEMBER 8, AT 8PM. TICKETS AND INFO HERE

Artists in the program

MUSICAL DIRECTION | Miho Hazama

VOICE | Sienna Dahlen

VIOLONS 1 | Zoé Dumais, Alissa Cheung, Brigitte Dajczer, Geneviève Morasse

VIOLONS 2 | Vanessa Marcoux, Marie-Élodie Serfati, Salomé Perli, Brenn Adrien Dalle

ALTOS | Lana Tomlin, Julie Dupras, Julie Babaz

VIOLINCELLES | Elisabeth Giroux, Loredana Zanca

SAXOPHONES AND FLUTES | Jean-Pierre Zanella

SAXOPHONES, FLUTES AND CLARINETTES | André Leroux

SAXOPHONES, FLUTES AND CLARINETTES | Bruno Lamarche

SAXOPHONE BARYTON, CLARINETTE BASSE AND FLUTES | Samuel Blais

TRUMPETS | David Carbonneau, Bill Mahar

TROMBONE | David Grott

COR FRANÇAIS | Jocelyn Veilleux

PIANO | Gentiane MG

COUNTERBASS | Summer Kodama

DRUMS | Kevin Warren

Publicité panam

Latest 360 Content

FMA 2026 | Walaa Al Jundi’s Beautiful Voice, Craft And Refinement… Despite Deep Suffering In Her Region

FMA 2026 | Walaa Al Jundi’s Beautiful Voice, Craft And Refinement… Despite Deep Suffering In Her Region

Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom

Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom

Voces Boreales | Tempus Fugit, “to experience time differently”

Voces Boreales | Tempus Fugit, “to experience time differently”

Trio Helios and the aesthetics of ugliness

Trio Helios and the aesthetics of ugliness

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours

Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours

Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle

Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle

Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying

Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying

Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis

Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis

Krystina Marcoux : ‘’I want to put the marimba on a pedestal’’

Krystina Marcoux : ‘’I want to put the marimba on a pedestal’’

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers