This album marked the return of American artist Ryan Lott after At War With Walls & Mazes, released four years earlier. As part of the NPR Challenge, The Wire asked him to produce a whole new album, including the cover, within the 28 days of February. The challenge was met with great success, with Lott negotiating a major turn, moving away from electronic minimalism and opting for a much more extensive musical approach, including the addition of acoustic instruments. His subsequent creations transformed this initially solo project into a very solid trio.
Latest 360 Content
Album review Pop/Rock 2026
Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983
By Stephan Boissonneault
Interview chanson française
Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”
By Alain Brunet
Interview classique/concours/violon
The art of judging with Lucie Robert, president of the jury of the International Music Competition
By Alexandre Villemaire
Interview Electronic
SAT | “Futurs Antérieurs”, 3 Decades of Expertise Focused on The Future
By Alain Brunet
Interview
Keithy Antoine from PAN M 360, Conversation with “People’s Choice / Media Dynasty”
By Alain Brunet
Interview Classical/classique
Molinari Quartet | The Shostakovich Marathon is Imminent!
By Alain Brunet
Interview Classical/classique
The Lake at Grands Ballets : Replacing Tchaïkovski… by Tchaïkovski
By Frédéric Cardin
Concert review Caribbean/Jazz
Kulusé Souriant, A Jazz Style Influenced by Caribbean Roots
By Sandra Gasana
Concert review musique de jeux vidéo/Pop
OSM | A Heroic Symphony That Doesn’t Beat the Boss
By Alexis Desrosiers-Michaud
Concert review A Cappella/classic rock/classique
ArtChoral Sings the Beatles: The Classic Pop We Needed
By Alexandre Villemaire
Concert review Classical/classique/Musiques du Monde























