This album marked the return of American artist Ryan Lott after At War With Walls & Mazes, released four years earlier. As part of the NPR Challenge, The Wire asked him to produce a whole new album, including the cover, within the 28 days of February. The challenge was met with great success, with Lott negotiating a major turn, moving away from electronic minimalism and opting for a much more extensive musical approach, including the addition of acoustic instruments. His subsequent creations transformed this initially solo project into a very solid trio.
Latest 360 Content
Concert review Pop/Electronic
OSHEAGA 2026 | Lorde Closes Osheaga Wired to Her Own Heartbeat
By Stephan Boissonneault
Concert review Hip Hop
OSHEAGA 2026 I Clipse Drip with Swag on the Mountain
By Stephan Boissonneault
Concert review Rock/Pop
OSHEAGA 2026 I Not For Radio Reincarnates on the Forest
By Stephan Boissonneault
Concert review Hip Hop
OSHEAGA 2026 I Little Simz is a Laid-back Class in Phenomenal Energy
By Marc-Antoine Bernier
Album review Électro/expérimental / contemporain 2026
Visible Cloaks – Paradessence
By Frédéric Cardin
Interview classique
Airborne strings in the Parks of Montreal with Andrei Feher and the Orchestre classique de Montréal
By Frédéric Cardin
Concert review Rock/Pop/Soul/R&B/Jazz
OSHEAGA 2026 | Blood Orange Pokes A Hole in the Clouds
By Stephan Boissonneault
Interview Indigenous peoples
Présence autochtone 2026 | We talk about the Programming with the Director
By Frédéric Cardin
Interview
Concerts aux Îles du Bic | Samaqani Cocahq Gives Voice to Wolastoq Traditions
By Jeremy Fortin
Interview Classical/classique/Electronic























