This album marked the return of American artist Ryan Lott after At War With Walls & Mazes, released four years earlier. As part of the NPR Challenge, The Wire asked him to produce a whole new album, including the cover, within the 28 days of February. The challenge was met with great success, with Lott negotiating a major turn, moving away from electronic minimalism and opting for a much more extensive musical approach, including the addition of acoustic instruments. His subsequent creations transformed this initially solo project into a very solid trio.
Latest 360 Content
Concert review Classical/classique/Traditional
MÁM from Teaċ Daṁsa: The Ireland of All Dreams
By Frédéric Cardin
Album review Rock/Classical/classique/expérimental / contemporain/Experimental / Contemporary 2026
Erick D’Orion – Mes fantômes
By Frédéric Cardin
Concert review Electronic
Piknic Electronik | Egyptian Lover has the catalogue and the credentials, but…
By Julius Cesaratto
Interview afro-tech/Brazilian/Électro/Electronic/Pop
SAT / Making Time | Olof Dreijer Beyond The Knife… The Drums !
By Alain Brunet
Interview expérimental / contemporain/Classical/classique
Bozzini Quartet plays the quartets of an icon of avant-garde jazz: George Lewis
By Frédéric Cardin
Interview classique
The “Bring Your Own Wine” concerts by the Voxpopuli Quartet: where serious listening is combined with pleasure
By Frédéric Cardin
Concert review électro-minimal/Electronic/Classical/classique
Pop MTL 2026 | A Winged Victory For The Sullen… and What the Strings Leave Behind
By Marc-Antoine Bernier
Concert review expérimental / contemporain/Jazz/Hip Hop/Punk/Rock
Pop MTL 2026 I haha Laughing: Everything’s Louder in Texas
By Lyle Hendriks
Concert review Indie/Folk/Americana/Singer-Songwriter
Pop MTL 2026 I Sofia Wolfson And the Art of the Solo Set
By Lyle Hendriks
