Like an Earl Sweatshirt or a Tyler The Creator, JPEGMafia (aka Peggy) has always made his own way without ever trying to please the masses. His three albums (including the eminent All My Heroes Are Cornballs, which surprisingly made its way onto the American Billboard last year) introduced an unpredictable artist with disparate milestones, drawing as much from Death Grips’ prodigiously chaotic quest as from Lil B’s cloud rap or the lo-fi aesthetic of avant-garde producers like Madlib and Flying Lotus. A compilation of singles released in 2020, EP! is the continuation of this sound research in all its lively, dynamic, and jubilant aspects. From the raunchy, industrial-rap madness of “Bald!” to the primitive, psychedelic double track “Covered in Money” and the stark contrast of “Rough 7”, a slow, languid piece distorted by the aggressive, sometimes hysterical flows of Peggy and Canada’s Tommy Genesis, the Baltimore-based producer and rapper opens up a world of musical possibilities that he connects as he sees fit, making sure to match that invigorating framework with equally bold vocal timbres and flows. Only the lyrics, peppered with references to popular culture (Bernie Mac, Radiohead, Pistol Pete… and even The Ting Tings), keeps the listener on familiar ground. One emerges from it unsettled, but not completely disoriented.
Latest 360 Content
Album review classique/musique de film 2026
Orchestre FILMharmonique/Francis Choinière – A Tribute to John Williams
By Frédéric Cardin
Interview Brazilian
Mundial MTL 2026 | Orbital Ensemble : steeped into vintage, but with an ear in the present
By Frédéric Cardin
Interview classique/Moyen-Orient / Levant / Maghreb
FMA 2026 | Al Qahwa: The Coffee of Cultures, The Rhythm of Encounters
By Juliana Cortes
Album review Experimental / Contemporary/expérimental / contemporain/Rock/Punk 2026
Boar God – Hunting Season
By Stephan Boissonneault
Concert review Classical/classique
Salle Bourgie | Catalyst: a quartet at the peak of its art
By Frédéric Cardin
Album review Americana/Électro 2026
Harry Bartlett & Kurtis Perrie – This is Living
By Frédéric Cardin
Interview Africa/classique/Traditional/Moyen-Orient / Levant / Maghreb
Mundial MTL 2026 | Where We Come From, Who We Become: An Interview with Tara Moneka
By Sandra Gasana
Interview Classical/classique
Caprice Ensemble at the 9th Floor : Hallelujah or the Jewish Colours of Baroque Music
By Frédéric Cardin
Album review Americana/Ambient Folk/Folk/Progressive Folk 2026
BRIAR & Daniel Romano – Aeterna Memoria
By Stephan Boissonneault
Album review Americana/classic rock/country-rock/Folk/free-rock 2026
Bob Dylan – The Rolling Thunder Revue: The 1976 Live Recordings
By Stephan Boissonneault
Interview Classical/classique
FMA 2026 | Le Livre des Reines : Dialogues between Inspiring Women from Europe and Persia, from Yesterday till Today
By Frédéric Cardin
Album review Folk/Americana/Electronic/Classical/classique 2026
Jason Dungan (aka Blue Lake) & Johan Caroe – Routine
By Frédéric Cardin
Interview Jazz
Salle Bourgie | Mike Bruzzese, inspired by his grandfather’s poetry
By Frédéric Cardin
Interview Classical/classique
Salle Bourgie | Jordan Bak : ”I wish to be excited on stage and with the audience”
By Frédéric Cardin
Concert review classique/Jazz/Classical
Salle Bourgie | The Enchanting Vibrations of the Masmoudi Quartet
By Frédéric Cardin
Interview Moyen-Orient / Levant / Maghreb/classique/Arabic























