Formerly known as Dirty Beaches, musician Alex Zhang Hungtai is constantly reinventing himself to best work the fertile ground of experimentation. Armed with his saxophone, he offers a dense, complex and captivating album, composed mainly of sketches for the instrument, which he has reworked in the studio with his faithful acolyte Pierre Guerineau (Essaie Pas, Feu St-Antoine). The result is both familiar and foreign, while the sound of the saxophone is transformed and modulated until it becomes unrecognizable. A timeless album that proves to be an ideal soundtrack for this era of uncertainty.
Latest 360 Content
Interview classique/Classical
Lanaudière 2026 | The Romantic Exaltation of Beethoven to Tchaikovsky: Veronika Eberle Speaks to Us About It
By Alexandre Villemaire
Interview classique
Concerts au Îles du Bic – Boldness and community feeling, on the banks of the Bas-du-Fleuve
By Frédéric Cardin
Concert review latino
Nuits d’Afrique 2026 | Somos Más: A Celebration of Memory, Community, and Resistance
By Juliana Cortes
Album review Electronic/expérimental / contemporain/Rock 2026
Xiu Xiu – Eraserhead
By Stephan Boissonneault
Concert review Brazilian/Indigenous peoples
Nuits d’Afrique 2026 | Suraras dos Tapajós: Connecting Us to the Amazon Forest Through Music
By Juliana Cortes
Album review expérimental / contemporain/musique de film 2026
Réka Csiszér & Radwan Ghazi Moumneh – Le Révélateur
By Frédéric Cardin
Album review Experimental / Contemporary/expérimental / contemporain 2026
Chanel Beads – Your Day Will Come
By Stephan Boissonneault
Concert review classique/Classical
Lanaudière 2026 | Explosion of colours and emotions thanks to Payare, Weilerstein, Ortiz, and Shostakovich
By Frédéric Cardin
Concert review Caribbean/Jazz/Reggae
Nuits d’Afrique 2026 | Chris Combette: the groovy elegance of the Guyanese troubadour
By Frédéric Cardin
Concert review Africa/Jazz/cirque
Nuits d’Afrique 2026 I African Circus Courtesy of Kalabanté Hits Different
By Stephan Boissonneault
Interview latino/Western European/Jazz
Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal
By Frédéric Cardin
Concert review Africa/Americana/Indian Ocean
Nuits d’Afrique 2026 | The Two Enriches its Creole blues
By Sandra Gasana
Concert review
PRIMAVERA SOUND – PORTO 2026 : The Big Little Festival on a Human Scale
By Patrick Baillargeon
Interview Africa/Mandingo Blues
Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra
By Frédéric Cardin
Concert review Africa/Mandingo Blues
Nuits d’Afrique 2026 | MTELUS Falls to Grand Lamine Touré
By Sandra Gasana
Interview Amérique latine























