Formerly known as Dirty Beaches, musician Alex Zhang Hungtai is constantly reinventing himself to best work the fertile ground of experimentation. Armed with his saxophone, he offers a dense, complex and captivating album, composed mainly of sketches for the instrument, which he has reworked in the studio with his faithful acolyte Pierre Guerineau (Essaie Pas, Feu St-Antoine). The result is both familiar and foreign, while the sound of the saxophone is transformed and modulated until it becomes unrecognizable. A timeless album that proves to be an ideal soundtrack for this era of uncertainty.
Latest 360 Content
Interview Jazz
FIJM 2026 | A Love Supreme played straightforward by Isaiah Collier’s Quartet
By Alain Brunet
Concert review Jazz
FIJM 2026 | Kassa Overall Crumbles the Boundary Between Jazz and Hip Hop
By Harry Skinner
Concert review Jazz
FIJM 2026 | Anamaria Oramas Showcases Authentic Colombian Jazz
By Michel Labrecque
Concert review Jazz
FIJM 2026 | The Art of the Perfect Trio at Upstairs with Billy Childs
By Frédéric Cardin
Interview Jazz/Moyen-Orient / Levant / Maghreb
FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!
By Alain Brunet
Interview Jazz
FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival
By Michel Labrecque
Concert review Jazz
FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood
By Frédéric Cardin
Concert review Jazz
FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?
By Alain Brunet
Concert review Jazz
FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!
By Varun Swarup
Interview Jazz
FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone
By Frédéric Cardin
Concert review Caribbean/Soul/R&B
FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest
By Vitta Morales
Concert review Hip Hop





















