classique Classical / Indian Classical / Turkish Classical / Arabic Classical / Persian Classical / classique persan / Baroque / Choral Music / Classical Singing / Modern Classical / Contemporary / Electroacoustic / Minimalist / Early Music / Neoclassical / Opera / Contemporary Opera / Post-Minimalist / Romantic / Classical Period / Renaissance / Renaissance music / musique de chambre / post-romantique / musique contemporaine / période romantique / Chamber Music / Creative Music / Hindustani / Carnatic / ghazal
Interview classique
Festival d’art vocal de Montréal 2024 | Discussion with Amelia Wawrzon and Theodore McAlindon, ICAV young singers
By Alexandre Villemaire
Interview Classical/classique/trad québécois
Festival de Lanaudière 2024 | Tribute to Mémoire et Racines against a backdrop of trad/classical reunion
By Frédéric Cardin
Concert review Classical/classique
Festival de Lanaudière 2024 | OSM/Levanon : game saved in the second half
By Frédéric Cardin
Interview classique/Classical
Domaine Forget 2024 | American Landscape at the Domaine, Nicholas Walker tells us about it
By Alexandre Villemaire
Interview Classical/classique
Festival de Lanaudière 2024 | Yoav Levanon, prodigy in recital or with orchestra
By Alain Brunet
Album review Electronic/Classical/classique 2024
Colin Fisher – Suns of the Heart
By Frédéric Cardin
Interview classique/Classical
Festival de Lanaudière 2024 | Quatuor Diotima in Quebec: musical dialogues from past and present
By Alexandre Villemaire
Interview classique
The Festival d’Art Vocal de Montréal Opens to the General Public
By Alain Brunet
Album review Classical/classique 2024
Lyric Opera of Kansas City/Gerard Schwarz – Paul Moravec : The Shining
By Frédéric Cardin
Album review Classical/classique 2024
James Ehnes/St.Louis Symphony Orchestra/Stéphane Denève – Bernstein : Serenade / Williams : Violin Concerto no 1
By Frédéric Cardin
Interview classique
Jaeden Izik-Dzurko: A look back at the CMIM and a glance forward
By Alexandre Villemaire
Album review Classical/classique 2024
Ensemble ArtChoral – Art Choral vol. 1: Renaissance
By Michel Labrecque
Album review Electronic/Experimental / Contemporary/expérimental / contemporain/Classical/classique 2024
Alexandre Tessier – Temps
By Laurent Bellemare
Album review Classical/classique 2024
Samuel Hasselhorn – Urlicht : Songs of Death and Resurrection
By Frédéric Cardin
Interview Classical/classique
Suoni per il popolo | A chat with a contemporary music legend: Howard Skempton
By Frédéric Cardin
Concert review classique/expérimental / contemporain
June 13 at Suoni Per Il Popolo: No Hay Banda with Sarah Davachi and Nadah El-Shazly + Sarah Pagé
By Laurent Bellemare
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2024
The Nausea – Requiem
By Frédéric Cardin
Interview Classical/classique
Montréal Baroque Fest 2024 : discover the ‘’Multiverse’’ programming
By Frédéric Cardin
Interview classique/Classical
L’Orchestre de l’Agora, Natasha Kanapé Fontaine, Claudie Bertounesque, Richard Strauss, Élizabeth St-Gelais | Nicolas Ellis explains the Gala de la Terre
By Alain Brunet
Interview Jazz/expérimental / contemporain/Experimental / Contemporary/Pop/Classical/classique
Bell Orchestre becomes immersive and interactive, House Music becomes Sound House at SAT
By Alain Brunet
Concert review classique/Classical
Der Kaiser von Atlantis: a modest but important production
By Frédéric Cardin
Interview classique/Classical/latino